Imaginary Journeys

· St. Gallen, CH ·

September 12, 2016 0 Comments

So far I have not been able to travel abroad this year. For those who know me that is a first, given my passion for journeys. So this week I am imagining the trips I’d take if given carte blanche in the next several month, with a focus on exhibits that triggered my curiosity.

I would start with Switzerland, St. Gallen to be precise, for a show fitting with the apocalyptic visions of this fall. Then a little detour to the village of Lenzerheide, where I learned to ski as a child, to hike through alpine meadows which are filled with mauve gentians and the pink autumn crocus until the end of October.

THE DARK SIDE OF THE MOON

THE ABYSMAL IN ART

FROM ALBRECHT DÜRER TO MARTIN DISLER

July 9th – October 23nd 2015, Kunstmuseum
csm_moon_titel1_49280bb261

“See you on the dark side of the moon …” is a lyric from the legendary concept album by the British rock band Pink Floyd, which has remained a best-seller since its appearance in 1973. Thematically, the work revolves around the abysses of being human, around the anonymous power structures to which individuals in today’s society are subjected. Beyond the social circumstances in the sense of Mark Twain’s quotation “Everyone is a moon, and has a dark side which he never shows to anybody,” the dark side of the moon also points to existential dark sides.

Both form the crux of this thematic exhibition centered around a unique series of sculptures and large-scale installations by the legendary Swiss artist Martin Disler (1949–1996). These are surrounded by groups of impressive and uncanny works by Damien Deroubaix, Jutta Koether, Mona Hatoum, and Josef Felix Müller, among others. The contemporary pieces are augmented with works by old masters: the important Apocalypse series of woodcuts by Albrecht Dürer (1471–1528) and Les Grandes Misères de la guerre by Jacques Callot (1592–1635), which reveal an impressive panorama of social rejection and human abysses in dialogue with contemporary works across centuries.Curators: Konrad Bitterli and Matthias Wohlgemuth.” This intro from their catalogue does sound intriguing, doesn’t it? 
http://www.kunstmuseumsg.ch/unser-programm/aktuelle-ausstellungen/uebersicht.html
dsc_0118-copy
dsc_0117-copy
September 12, 2016

friderikeheuer@gmail.com

LEAVE A COMMENT

This site uses Akismet to reduce spam. Learn how your comment data is processed.

RELATED POST