Browsing Tag

Timothy Snyder

Dramatis Personae

This time of year. Perhaps you were even waiting for them. Another go-around with the main characters of the late summer fields: the sun flowers.

I took the images with one of those obscure settings on my iPhone, called mono stage lighting. It brings out the gorgeous architectural structure and patterns of these plants, but it also seemed fitting given the symbolism of the sunflower for Ukraine – times are dark and not getting any lighter for David defending itself against a Goliath.

I can no longer count the number of text messages and emails I get these days asking for donations towards the Presidential election campaign. The one ask I complied with this week came from a different source and about a different need: Historian Timothy Snyder and actor Mark Hamill are raising funds to provide mine sweeping robots for Ukraines regions that are contaminated with explosive ordinances.

It is not just the danger to life and limb, estimated to last for at least a decade even if the war stopped tomorrow. It is also about food security – if you cannot plant the fields because of the mines, you cannot plant the necessary crops to feed your – and other – people.

Hunger has been a weapon of war or political oppression in that region as much as anywhere else in the world. Stalin’s imposed starvation of Ukrainians in the early 1930s cost the lives of almost 4 million people. And contemporary hunger is not restricted to their own country. Millions of people across the world are dependent on Ukrainian food exports and now lacking. These are often the same people who are experiencing starvation tactics in their own recent or current conflicts in EthiopiaMaliMyanmarNigeriaSouth SudanSyriaYemen and now Gaza.

“In 1998 the International Criminal Court Statute codified starvation methods as a war crime in international armed conflicts. A 2019 amendment expanded this doctrine to cover non-international armed conflicts – conflicts between states and organized armed groups, or between organized armed groups. In addition to food, the legal definition of starvation also includes deprivation of water, shelter and medical care. A few months back, the United Nations’ human rights chief said in an official statement that Israel’s policies regarding aid in Gaza might amount to a war crime.” (Ref.) Russia is believed of doing the same to Ukraine. Investigative reports by international human rights lawyers are right now presented to the International Criminal Court. (Ref.)

Russia is accused of

“… having engaged in an ever-lengthening list of starvation tactics, besieging entrapped populations, attacking grocery stores and agricultural areas and granariesdeploying land mines on agricultural landblocking wheat-laden ships from leaving Ukrainian harbors and destroying a critical grain export terminal in Mykolaiv. Moreover, although the U.S. and E.U. exempted fertilizers from sanctions (Russia and Belarus are two of the world’s largest producers), Russia has decided to withhold fertilizers from the market.” (Ref.)

And here I thought to escape doom and gloom in the sunflower field…. but there is still hope. I have a cache of color photographs that radiate yellow optimism! Let’s include one.

And here is the Second Piano Rhapsody on Ukrainian themes (1877) by Mykola Lysenko.

To Name is to Know

The poem below was written this year in obvious response to what’s lurking. Volodymyr Dibrovar is a scholar at Harvard’s Ukrainian Research interview, historian Timothy Snyder was the translator. Dibrovar is a writer, translator and literary critic, a laureate of the Mykola Lukash Award in Translation for his translation of Samuel Beckett’s “Watt” (1991) and the Ukrainian BBC Book of the Year Award for his novel “The Andriivskyi Descent” (2007.)

I am posting it not to feed the increasing depression I see rising in myself and many around me, but because I think it speaks to something larger than the horrors of war alone. The sulphur fumes of a desire to annihilate born out of contempt and clinging to power are spreading everywhere, nationally and internationally. I write this after the Hungarian and before the French election this weekend, and cannot but wonder why fascism is even allowed at the doorstep, much less across it.

My photomontages today were work commissioned byThe North Coast Chorale in Astoria for a 2016 concert performance of Karl Jenkins’ The Armed Man – a mass for peace (which in turn was dedicated  to the victims of the Kosovo conflict.) The music uses the structure of a catholic mass, but is filled with diverse, surprising and moving texts from all kinds of sources.

As it unfolds it brings the listener closer and closer to the devastation wrought by war, the emotional emptiness and trauma that comes with loss and being a victim as much as with being part of the perpetrating forces. It ends with appeals to hope, with a belief that we can and must pursue peace and that memory of the suffering must be kept alive to avoid repetition of warfare.

Look! 

The barrier between us and the netherworld.  We don’t usually see it.  Why should we pay attention?  Our cares are heavy enough already. 

But something has happened.  

Do you see?

The membrane is broken, a miasma of lies and hatred flows out.  It drains will and reason from the weak.  Even the strong are in shock. 

It seems to defy the laws of physics  

It is what it is, look out.

Toxic, not to be touched, not yet named.  And that’s our problem. 

What is unnamed escapes unpunished.

Where’s our word for spasmodic contempt and blinding annihilation?

For a lie so thick it absorbs every truth? 

Search.  To name is to know.

That is the only rule.

Of our only game.

Volodymyr Dibrova, (2022) Translated by Timothy Snyder.

***

Дивися!

Ось той невидимий кордон, який захищає нас від потойбічного світу. Тому ж ми його і не бачимо. Нащо він нам? Ми й без нього ледве даємо собі раду. 

Але щось сталося.

Бачиш?

Загата розірвана, і з рани цебенить суміш ненависті та брехні. В слабаків вона відбирає розум і волю. Сильних вкидає у шок.

За законами фізики такого не може бути.

Але так є.

Обережно! 

Це – дуже токсична субстанція. Її не можна торкатися. Тому вона й досі не має назви. І в цьому проблема. 

Усе, що не названо, вислизає й лишається непокараним.

Де ж нам знайти влучне слово для корчів ненависті та бажання нищити все на своєму шляху?

Або для брехні, настільки щільної, що її не можна розчинити ніякою правдою?

Шукай!

Хто знає ім’я, знає все.

Це – головна умова цієї гри.

Іншої гри в нас немає.

(Volodymyr Dibrova, 2022)

Here is Karl Jenkin’s Armed Man

Stones on the Heart

Once you have crossed Portland’s Burnside Bridge you will encounter a building on the Eastside that has large sheets of paper hanging in its windows. They are printed with a poem by Oregon’s current poet laureate, Anis Mojgani. It is an appeal which addresses us with loving flattery, perceptive about potential burdens we might carry, and enthusiastic in its belief that there are remedies that can help you drop the stones of your heart, as he puts it.

The suggestions made me smile, made me frown, made me feel seen as one of the multitudes who experience themselves these days as “dark and angsty” as he says. (The word angsty, by the way, from the German word Angst (anxiety) was introduced as early as 1849 by English writer George Eliot. But it became popular in the 1940s when translations of Freud’s work promoted it in the context of neurotic fear, guilt and remorse.)

I was in a dark mood indeed, having been accused of neurotic fear, well, not in those words, but in a closely related term, namely being prone to conspiracy theories. Heated voices had been raised over an essay that I tried to summarize and that found nothing but scorn in the ear of my listener. The essay was published by Timothy Snyder, author of an interesting series of essays currently on the web, Thinking Aloud. He teaches history at Yale, and is a tenured fellow at the Institute for Human Sciences in Vienna. His work concerns East European history, the Holocaust, the history of the Soviet Union, and the history of Ukraine, and he has been published in the NYT, the L.A.Times, the Guardian, Christian Science Monitor and many more. I dwell on the pedigree so we can agree this is not some random fantasist, dabbling in pseudo-Freudian analysis, or simply a moron (one of the less condescending terms emerging in our “debate.”) Not that learned people cannot be idiots, but I think there is something else going on here. Hear me out.

The essay is titled Killing Parents in Bad Faith. – How historians will remember the pandemic.The main argument offered is that reckless behavior of maskless younger people endangering their older relatives, or reckless refusal of politicians to implement measures that protect the elderly and anyone else against the ravages of the virus is not simply based on stupidity. Instead it is a return to the (falsely applied) maxim of the survival of the fittest with the added benefit that it triggers wealth transfer that is direly needed by a younger generation who has seen the promise of upward mobility ground into the dust by decades of Republican politics. The author goes so far to talk about elder cleansing and generational harvesting, which would be clearly revealed in retrospect by future historians.

An extreme position, not backed up by empirical evidence, yes, I understand the varied reactions ranging from crap to idiocy I have heard when I talked about it with people. So why do I, not the most irrational person on the planet, see reason to keep an eye on the argument with a possibility that it might be true? Why do people who fully acknowledge that Republicans have embraced Social Darwinism, have refused vaccinations on the basis of non-scientific, ideologically driven beliefs, have shown publicly a willingness to sacrifice older generations, can’t go as far as acknowledging that there might be a condoning acceptance of lethal consequences when younger folks expose their elders to the virus,(if intentional parricide is a step too far?)

I wonder if Snyder’s arguments are deeply influenced by his immersion into Holocaust research, and my openness to them affected by being German. The US Holocaust Memorial Museum has a whole section devoted to the way Nazism, German people, average citizens like you and I, betrayed people deemed unworthy of life in ways that insured economic benefit to the perpetrators. As early as 1933, laws were established to force the sterilization of all persons who lived with diseases considered hereditary, such as mental illness, learning disabilities, physical deformity, epilepsy, blindness, deafness, and severe alcoholism. These people were colloquially called useless eaters.

Daily cost of feeding a disabled person and a healthy family.

The program escalated but 6 years later with Operation T 4, which instated “mercy death” of non-Jewish German and Austrian citizens by gassing. By the end of the war an estimated 275.000 people living with disabilities had been murdered. These included people who were brought to the authorities by their families for no other reason than being “difficult” spouses or defiant daughters (blamed to have mental illness) or elders who did not want to dish out an early inheritance. The euthanasia program explicitly included incurably ill, physically or mentally disabled, emotionally distraught, and elderly people.

There has been a lot of psychological research looking at how the elderly are valued over younger lives, with decisions made by participants across the world that IF they have to sacrifice some life, it will be the elderly over the teens. Those sentiments are enhanced during times of crisis. Public discourse during the epidemic (social media content analyzed by scientists) showed an increasing amount of ageism with some proportion alluding to senicide (the killing of or abandoning to death of the elderly.) Real life scenarios certainly happened in several countries across the pandemic where a lack of ventilators forced doctors to do triage with a cut-off of age as low as 65 in some places where you were no longer eligible to have your life saved. Princeton Psychologist Susan Fiske who studies prejudice and ageism finds in her surveys that “younger people want to be sure that the elderly don’t hog a disproportionate amount of time and resources. Older people are expected to step aside.” The only American cultures that have consistently positive views of the elderly are African Americans and Native Americans.

Prejudice against old people is of course a far cry away from stepping up and actually killing the old by active measures. One can look at the moral deprivation of murder at one extreme of the scale. On the other end of the continuum would be the morally justified decisions by doctors to grant survival to those who benefit most of it, the young, when means to ensure survival are limited. Then there is the vast area in-between. There is morally unacceptable action – the decision to expose vulnerable populations to maskless visitors, say or state decrees forbidding mask mandates. Or equally debatable inaction of the authorities to demand protective devices or order vaccinations mandates for people who come in contact with vulnerable populations, or the personal decisions by police, firefighters or nurses not to get vaccinated.

To get back to Snyder’s Covid scenario, yes, it might be .0002 % or whatever tiny proportion of maskless visitors to retirement homes who have consciously nefarious motives. Bad apples, etc. pp. Once a political administration justifies the sacrificing of this or that constituency under the mantle of Social Darwinism, however, personal motives can find political backing, ruthlessness can be uncorked, as history has shown. And we are very few steps away from such an administration in the years to come. Looking at some State governments, we are there already.

Stones on my heart, indeed.

Music more representative of fall than spring, but there’s still hope that spring might be rushing back….

Language as Tool

In 1995 the German publishing house Aufbau-Verlag printed two volumes of diaries, covering the years 1933 to 1945. They were written by Victor Klemperer, a German Jewish professor of Roman languages, who had survived the Holocaust. The diaries won great acclaim both in Germany and later in English translation in the US – Peter Gay, in his review for the New York Times, declared them a collective masterpiece and referred to Klemperer as “one of the greatest diarists—perhaps the greatest—in the German language.” Klemperer had been dead for over 30 years by the time of publication, having spent his post-Holocaust years in his hometown of Dresden, chronicling life in East Germany as well.

Immediately after the war, Klemperer published a small book, a lexicon of what he called Lingua tertii imperii (“the language of the Third Reich”), in which he noted and analyzed the rhetorical giveaways of the regime in painstaking detail. Equal part linguistic analysis and survivor’s memoir, the book describes many of the rhetorical tools that we see in abominal revival in our current political landscape. (It is a hard read, on many levels.)

Some contemporary authors, Timothy Snyder’s On Tyranny comes to mind, pick up on Klemperer’s analysis of the language of fascism and pre-facism and draw out the parallels to our time in more accessible form. Tools of supremacist language range from distorting the meaning of words, lulling people into a collective trance, erasing boundaries between fact and fiction, making it impossible to hold on to truth. Importantly, the rhetoric establishes an infinite repeat of an “us vs them,” uniting your followers against a common enemy.

Klemperer describes numerous ways in which truth is thrown out of the window. For one, leaders ignore it and supplant it with numerous small lies. Secondly, they do so by relentlessly repeating phrases and ideas, making the concepts or slogans familiar, familiarity that builds an emotional connection between them and their followers. Thirdly, they consciously use contradictory logic, forcing us to abandon rational reasoning. And lastly, they demand unlimited faith and loyalty, establishing faith over reason. When you put loyalty and emotion before reason, you will not be able to be persuaded by rational argument, becoming a true follower buying into any lie delivered by the leader.

All this came to mind when I was confronted with anti-Semitic language and symbols displayed in the media images of the people storming the Capitol last week. The rioters came from many different backgrounds, but were fused by shared “enemies,” using language (displayed on t-shirts and sweatshirts, or symbolized by hand gestures or types of flags and banners) that identified the enemy as “the Jew.”

Some of the language is easily (and horridly) accessible, like Camp Auschwitz printed on a sweatshirt. Other parts are more available to the initiated – or do you know what “6MWE” on a t-shirt means? It is an acronym common among white supremacists standing for “6 Million Wasn’t Enough.” Or have you noticed how certain names appear in triple parentheses? They stand for “the Jew,” or Jewish, a linguistic marker that fascist Germans used to employ: Forced to repeat “the Jew Klemperer” enough times, one thinks of that person not as Victor Klemperer but as “The Jew.” The Jews were in effect deprived of their name, and in turn of their humanity.

The New Synagoge

The Anti-Defamation League has a website that compiles and explains these various hate symbols, a great educational tool. Here are some examples.

I have been unable to stop thinking about the rhetoric used by the GOP and these words found in The American Interest, (not exactly a hotbed of progressivism, but I do try to read all sides…) by the very smart Elisabeth Draw:

“Demagogues and authoritarians need enemies. They use language to distort, manipulate, and corrupt discourse; to direct, control, and oppress…..In Hitler’s Germany linguistic habits shaped attitude and culture, and eventually acquiescence to a system of segregation and dehumanization. The language of the Third Reich was corrosive, and contagious.”

Someone here, and now, surely has learned and re-implemented that lesson. We saw the consequences on January 6th.

Photographs are from Dresden, Klemperer’s hometown.

Music is presenting Victor Klemperer’s cousin, Otto Klemperer, a world-renowned conductor. I chose Egmont because it is a tragedy, written by the quintessential German poet Goethe, about the downfall of a man who trusts in the goodness of those around him.