Browsing Category

Religion

Maria durch den Dornwald ging

· Mary walking through a forest of thorns ·

This is the time of year that provides all of us, no matter the background, with some glorious and familiar music. If your first association is “Jingle Bells???” I have to disappoint you, although the song I am introducing today was sort of a jingle. Despite appearing like church music, it was a folk melody that revelers sang since the mid 1800s in Germany, going from house to house during the Advent season, begging for coins. It appeared in a collection of folk songs published by a passionate fan of that music, August von Haxthausen, helped in his endeavors by the Brothers Grimm.

The song became intensely popular around 1912 with the Wandervögel (migratory birds) movement, a movement of middle and upper class youths who despised industrialization and wanted to go back to nature, simplicity and freedom, hippies of yore, hiking in the countryside, singing around the camp fires and sleeping under the stars. The song was spread by them far and wide.

The movement succeeded enough that the establishment and the rising Hitlerites tried to emulate it in ways that would lure young members: The Catholic Youth Organization, The Boy Scouts, and later the Youth League of the National Socialist Workers’ Party (NSDAP) under the control of his storm trooper organization known as the SA (Sturmabteilung,) all sharing some of the same themes, opposing a return to the old social status quo, while working to create an idealistic new era, a better Germany. (Ref.) Hah.

Simple paper curling behind glass.

Ah, getting derailed. What else is new. Back to the song.

It uses simple language, sometimes interrupted by the Greek Kyrie Eleison – Lord, have Mercy – and has an archaic melody, with plain movements that ascend and descend and a dorian pitch (sort of like our minor key.) The narrative is set in woods entirely consisting of barren plants and thorns that have not shown life for seven years. When Mary, pregnant with G-d’s son, walks through this forest of thorns, it erupts into a blooming sea of roses. Let’s listen to two versions: a choir that might resemble the way it was sung on the street (albeit with the finesse of a world-class ensemble, the Vienna Boy Choir) and a version for wind instruments. I simply loved that song as a child, both for the pitch and the miracle, vividly imagining how roses would blossom all around you in the cold, long before animated movies would visualize these kinds of scenarios.

Little did I know – it is generally interpreted as a narrative pointing to divine intervention for those struggling with infertility, a benevolent power connecting the barren to new life, as symbolized by the pregnant virgin. The scourge of infertility is, of course, a massive sorrow for those dealing with it and a correspondingly frequent theme in the bible, of importance to early agrarian societies where the ability of having children proved existential (beyond the yearning) – large families were a guarantee for survival given the rates of child death and the need for labor.

The Hebrew Bible alone contains six stories of barren women: three of the four matriarchs, Sarah (Genesis 11:30), Rebekah(25:21), and Rachel (29:31); Hannah, mother of the prophet Samuel (1 Samuel 1-2); the anonymous wife of Manoah, mother of Samson (Judges 13); and the “great woman of Shunem,” also called the Shunammite, an acolyte of the prophet Elisha (2 Kings 4:8-44). Women were the ones exclusively blamed for infertility, and to add insult to injury, they were reproached by society, their situation attributed to some hidden wrong, or sin that made G-d close their wombs (biblical language), making them ashamed and allowing their husbands to add another wife to the household.

Our annual Rosh Hashana reading, one of the holiest days of the year, is all about the promise to a woman, Sarah, to be blessed with child after years of longing, in advanced age. We understand Genesis 21 as a sign of divine benevolence – a higher power that bestows a gift, makes thorny woods bloom, relieves women of reproach, their own and that of the society around them.

No such benevolence on the part of many contemporary men in power. In addition to the Catholic church which has long prohibited attempts to assuage the pain of infertility by means of using In Vitro Fertilization (IVF) we now have a generation of Republicans and other Right Wing forces who want to prohibit the use of IVF in the wake of the Dobbs decision around abortion. The disposal of unused fertilized eggs should be criminalized in their eyes, as a felony no less. Unless you want to carry all of those embryos, wether viable or not, you better not start the procedure!

Am I catastrophizing? Just look at what the new speaker of the house, Republican Mike Johnson, has to say. According to recent news reports, Johnson supports banning in vitro fertilization. He is a co-sponsorof the Life at Conception Act, a nationwide abortion ban that also would affect embryos created for IVF. Here is a detailed news report that spells out the names and the arguments used in the battle to prevent women and men from alleviating their suffering, deal with the effects of chemotherapy, or simply choose their own timing for starting a family, perhaps later in life after college loans have been paid off, or career demands settled down.

Worried yet? Some members of congress were enough so that they introduced a bill a year ago The Right to Build Families Act, which lingers in Committee, but has drawn the explicit ire of the Heritage Foundation. Contraception, mind you, is on the list of desired prohibitions as well. So riddle me that. In the current discourse around the “Great Replacement” fears, with far right voices calling for enlarging the size of – certain – families, it makes sense for the radical Right to prevent people from choosing not to have children. But for those who want to build a family, why foreclose one such avenue that makes it possible?

In any case: even the old fashioned methods of procreation, with divine intervention “opening women’s wombs” as the bible has it, did not necessarily lead to happily-ever- afters, lest we forget that the power to bestow is matched by the power to take away.

The lives of the conceived sons – and sons they were, exclusively, wouldn’t you know it – was often threatened, sometimes taken. Isaac is supposed to be sacrificed, Jacob runs from murderous brothers, Joseph is nearly killed by them and then sold as a slave, Samson dies a martyr’s death and Samuel is stashed away for life at a sanctuary at Shilo.

Not a stroll among the blooming roses…..

Photographs of the Virgin Mary today from my travels.

Hybridizing Thoughts

1. Stop here and now with the fall clean-up of your garden, should you be lucky to have one. Leaf blankets, flower stalks, withering vines all provide much needed survival help to pollinators and birds, many of whom have not had the easiest of times. (One exception: clean vegetable patches IF they had some serious pest issue. You don’t want to give those critters a chance to overwinter in place.) If you don’t trust me you can read more professional explanations here and here. “Wild” gardens provide many more food sources and places for shelter to the birds in winter. Drop the rake until February…

2. Besides the avian beneficiaries of inaction we humans benefit as well. Here is a neat study showing that the exposure to the sight and sound of birds improves our wellbeing. In case you need scientific evidence for that.

3. All this came to mind when listening to a podcast about birds. A special bird, in this case who turned out to be a hybrid between two different bird species, a truly rare event. Hybrids occasionally happen between close cousins (1 in 10 000,) but the two parents of the bird under consideration hadn’t shared a common ancestor in over 10 million years. The specimen was a mix between a rose-breasted grosbeak and a scarlet tanager (whose song he sang, while the looks were more like the grosbeak mom.)

The scientific assumption is that these “evolutionary experiments” confer a survival advantage to the hybrid, which in turn might shore up an avian lineage that is endangered. (Contrary to popular belief, hybrids can breed – if the hybrid mates with another hybrid, or with the same species as one of its parents.)

“It allows… independently evolved groups to share, that they’re, you know, sort of trading information back and forth on solving problems that the environment presents to them. So this might actually be important for adaptation to climate change, for example.”

4. Which brings us – you must have been waiting for it already if only as proof that my brain is back in action – to hybridization as a religious and political issue. As any number of nationalist Christian websites will tell you (and no, I am not linking to them) G-d does not want animal species to mix, or human bloodlines to merge in ways of racial intermarriage. This Divine command is found, they claim, in verse after verse in the bible – all conveniently and selectively cited – and originated as a punishment for transgression against Noah by one of his sons, the dark Ham, who in perpetuity is condemned to be inferior and whose descendants are to live in slavery. Japheth, the second son, is an idealized and blessed form of humanity superior to Ham in every conceivable way, representing Whiteness, and Shem is an archetype in between. In one foul swoop you have: an established hierarchy between White and Black, the former superior, prohibition of intermarriage, and a justification of slavery on divine authority. (In fairness many other Christian websites point out that this is false biblical interpretation.)

Note, these are not considerations of the American Antebellum South, when they were prominent. Or occurrences of the 1950s and 60s, like Senator Robert Byrd of West Virginia citing the Bible in opposition to the Civil Rights Act of 1964, or Reverend Jerry Falwell attributing the Brown v. Board of Education desegregation decision to Chief Justice Warren’s failure to know and follow God’s word, or Mississippi Senator Theodore G. Bilbo explaining that “miscegenation and amalgamation are sins of man in direct defiance with the will of God.” Ref.)

Race separation as a Divine decree and the dominion of Whiteness are making a comeback in ever louder public voices and votes here and now in 2022. Consider the issues of the constitutional right to intermarriage: some weeks ago, 157 House Republicans voted against the Respect for Marriage Act, which would enshrine marriage equality in federal law. Senator Mike Braun of Indiana explicitly stated that not banning interracial marriage was a mistake. Regulating racial boundaries has been a main topic for international right wing forces, as heard in Hungarian PM’s Victor Orban’s speeches against mixing races, which were loudly welcomed by right wing audiences in the U.S. As the conservative legal movement grows more emboldened, are there any protections that we can unquestioningly rely on?

5. I am writing this on the day this Supreme Court is hearing arguments about Affirmative Action at a Public University. You can figure out for yourself why that came to mind in my hybridizing thoughts.

Better go watch the birds on my leaf-strewn lawn.

Ham, Shem and Japheth’s story in music here.

Who will find Meaning?

Today I want to draw your attention to a superb essay, in ever so many ways. It describes both, the exploration of some churches in a particular neighborhood of Portland, Ladd’s Addition, and also a secular pilgrimage in search of something larger, deeper than ourselves by a man who has left traditional churchgoing long behind. The author, David Oates, lives here in Portland. His latest book, The Mountains of Paris – How Awe and Wonder Rewrote my Life won the 2021 Eric Hoffer Award and was also a finalist for the Oregon Book Award. I have not yet read it, another item in the growing pile of nature-related writing on my nightstand.

The linked essay is longish (hey, weekend is coming up!), and made me grateful, once again, that healing exists from psychological wounds inflicted in childhood.

Grateful, too, that people don’t allow themselves to be cut off from things or themes associated with the hurt, when these offer independent source pf learning or grace.

Grateful, last but not least, that there are writers who can write about topics of spiritual meaning without being didactic, proselytizing, or worse, saccharine, in my ears, pairing wit with humility. As I said, a superb piece.

I was reading it while sitting in my chair at the window across the pear tree. This year’s addition to the garden has been a raised bed where we planted – oblivious to the snow and hail to come – the first rounds of peas, leeks and lettuce.

So far the squirrels are eating the lettuce, long yellow and flat from the cold snap. The finches and chickadees, on the other hand, have found the perfect source for nesting material – they are relentlessly pecking away at the twine that holds the bamboo stakes together, harvested from our hedge and rigged in a makeshift attempt to provide a structure for the climbing peas.

There they were, birds searching – and finding – essential necessities, their and their offsprings’ continued existence dependent on it. No meaning required. Just biologically ingrained task performance. Something, I suppose, somewhat similar for humans under existential threat – no time to waste in pursuit of higher-order concepts when survival is at stake. But if we have the luxury to pursue them, if we have the chance to find meaning, what a gift for cognitive creatures who cannot help themselves but asking about the nature of and reason for their existence since time immemorial.

We obviously long for some evidence that there is something out there beyond the mere facts of burdensome existence, something that could, perhaps, prove guidance or protection or allow us to bask in its reflected glory (made in the image of whatever deity…).

I always wonder what characterizes those who seem to be able to find it.

For my part, I believe that our existence has no more – and no less – meaning than that of the finches and chickadees. We are a coincidental by-product of an evolutionary process in a random universe. I strongly believe, though, that we can make meaning, live a meaningful live, by focusing on others rather than self, refuse to be bystanders, force ourselves to be witnesses and adopt an ethic that favors solidarity with those in need and contribute with whatever talents we possess.

Today’s music is about dancing unhatched chicks – I envision those bird eggs snug and warm in a bed of twine in their nest….

Honor the Past, Respect the Present.

How do you persist as an individual, a group, a people, when insult is added to injury in a never ending stream of violations, ignorance – willful ignorance -, appropriations or plain, colonial hostility? What are the sources for resilience, when you face scarcity, displacement, disrespect and racism in continuity?

These thoughts went through my mind while standing in a sun-lit, silent landscape on the Washington side of the Columbia river near Horsethief Butte, the quietude only occasionally interrupted by the calls of birds of prey.

I was looking across the Temani Pesh-Wa Trail, lined by pictographs (rock paintings) and petroglyphs (rock carvings) that were created by the First People who lived in the Gorge and the surrounding uplands. The introductory panel read: Honor the Past, Respect the Present.

The story of these particular stones is one of sorrow and resilience, with little honor or respect from most of us non-indigenous folks when it comes to their fate in the last century, until they were placed at Columbia Hills a few years ago.

Nobody knows how many of these images existed along the shores of the Columbia. It is estimated there were about 90 or so sites between Pasco and The Dalles. The rocks before you were about to be submerged when the floodwaters rose from yet another dam, the inundation of the John Day Reservoir. The U.S.Army Corps of Engineers cut out just a few of them in time and they were relocated under the guidance of Chief Gus George, (Rock Creek Indian) in the small town of Roosevelt, Wa. Stored there, in a small, unprotected park, they were subject to vandalism and decay, given that the community simply did not have the means to protect them from visitors who came to do rubbings, or worse. Several disappeared, taken as souvenirs or stolen by collectors, who knows. (I found much of the information for today here and here.)

Relocated again in 2003, they spent an interim decade in Horsethief park until they found a final home at the Temani Pesh-Wa Trail in 2012 with the help of the Wanapa Koot Koot working group that consisted of representatives of the Confederated Tribes and Bands of the Yakama Nation, the Confederated Tribes of the Umatilla Reservation, the Confederated Tribes of the Warm Springs Reservation of Oregon, the Nez Perce Tribe and government administrators. Tribal elders and cultural specialists engaged to present tribal values and respect for the original creation of their ancestors. The site is open 7 months of the year and some of the paths only accessible with a guided tour, leading to the cliff face that depicts Tsagaglalal, or “She who watches” in the Wasco-Wishram language.

Vandalism and theft is a physical attack on heritage objects. Another is appropriation of imagery that does not belong on t-shirts, mugs or any other tourist trap merchandise. But there is also an issue with the use of language and interpretation of something that is rooted in a different culture. As early as 1719 Cotton Mather (on the East Coast) described “writing on stone.” Across the centuries the images caught the interest of archeologists, anthropologist, plain old explorers and people interested in the history of their region. Guesses about origins and interpretive or value judgements proliferated.

Source for archival images here

Eventually people settled on calling them rock art. Stop that!, argues eminent Native American artist Lillian Pitt carefully and Jon Shellenberger (Yakama), who holds a BS in Anthropology and MA in Cultural Resource Management, passionately.

Petroglyphs/pictographs are not art.  They are sacred images that represent significant cultural themes, messages, beliefs to a Tribe.  They were not created for aesthetic purposes.  They were created to teach, warn, or record those not yet born.  Even though we may think that they are pretty, beautiful, pleasant to look at, those are not the values inherent in the images you see.  those are the values that you as the viewer are placing on the image. Please stop calling them rock art. “

There is a lot of meaning conveyed through petroglyphs/pictographs.  Some of that meaning is known and some of it is only known by certain individuals within certain families. Many tribes didn’t have a written language and depended on oral tradition to perpetuate their culture.  These images are a manifestation of the culture as it relates to the environment.  They demarcate sacred sites, warn people to beware, indicate the presence of animals or plants, and are at times prophetic.  Elders are still learning about the meaning of specific petroglyphs and its only in certain stages of life that they are able to understand their meaning.” 

Contrast that with an interpretive sign at another petroglyphs site at Death Valley National Park:

Indian rock carvings are found throughout the western hemisphere. Indians living today deny any knowledge of their meaning. Are they family symbols, doodlings, orceremonial markings? Your guess is as good as any. Do not deface – they cannot be replaced. (bolded by me, source here.)

Licence is given to impose our (non-native) interpretations and stereotypes on objects as if we have the same amount of knowledge or insights as the living descendants of those who created the images, or tribal archeologists and anthropologists. Our fantasies of renewal and closeness to nature, of a long lost authenticity that we associate with Indian tribes, are superimposed on the carvings, when we have no clue what they really meant in the context where they were created.

The stakes in the interpretation of rock art are substantial. Interpretations of(pre)historic rock art’s original meanings and functions, especially when passed on to the public through guide books, museum displays, and interpretive materials at rock art sites, have the potential to shape perceptions of Native Americans, challenging or reinforcing dominant perceptions of indigenous cultures and histories.” (Ref.)

Native Americans, like Lillian Pitt, explain the nature of these carvings as part of religious ceremonies, hunting rituals, or for the purpose of communicating important messages. Some were private, done by young people on vision quests, others public. Pictographs were painted with pigments derived from coal, iron oxide deposits (hematite and limonite,) clay and copper oxide. Ground into powder and added to a binder of fat, bolded, eggs, urine, saliva or plant juices, they were applied with fingers. Petroglyphs were achieved through carving into the rock, pecking, scratching or scraping with a harder hammer stone.(Ref.)

They all have in common a spiritual nature which requires that the sanctity of the place where we encounter them (even if they have been moved 4 times in 50 years… ) needs to be respected. Not my place of origin, not my culture, not my knowledge base – but a sense of linked humanity, a desire to communicate shared across the millennia.

It was easy to feel awe and reverence, on that bright morning, myself a tiny speck in a large landscape,

surrounded by ground squirrels and bald eagles,

and goose tracks,

facing a small tree that symbolized resilience, defying a barren location.

Nez Perce songs today for music. If you are interested in seeing work of contemporary Native American artists, visit Maryhill Museum, which opens again March 15th!

Tu B’Shevat

Today I want to introduce the poetry of someone my US readers will likely be unfamiliar with. I chose the poet and the (excerpted) poem because they represent so much of what I admire: a review of both, the good and the bad that surrounds us, a strong desire for justice or the fight for it. A will to remember history, awe of nature, and pleasure derived from language that uses patterns related to science while sounding lyrical as we expect from poetry.

It also fits with last Monday’s Jewish holiday of Tu B’Schevat, the Festival of the Trees. It’s not a biblical holiday but marks the beginning of the annual agricultural cycle for trees (and tithing.) Starting with the 17th century, the date was celebrated with a Seder meant to repair our standing in the earthly and spiritual realm. Four cups of wine are offered, from white to shades of red symbolizing different levels of creation. Foods are served that remind us of the complexity of our existence. The first fruits and nuts have inedible shells, like pomegranates or almonds, and represent the physical world in which protection and defenses are necessary. Then fruits with inedible cores like apricots or olives, to recall both physicality and inner emotions that need protection. The third group are fruits like figs or blueberries that can be fully eaten. They stand for the highest level of physical and spiritual perfection achievable in the corporeal world. The final “fruit” is not physical and cannot be eaten, standing in for the spiritual realm.

Today’s poem includes numerous fruits and trees and certainly thinks through how we can integrate, change or repair the many layers that make up our existence.

Danish writer Inger Christensen was one of Europe’s leading contemporary poets until her death in 2009. (Here is a link to a great overview of her approach to life and work.) A staunch progressive and a visionary, she focussed on community over individualism and encouraged all of us to act on our beliefs. In my more blasphemous moments I think of her as the Hannah Arendt of poetry.

I am currently reading a brilliant collection of her essays, The Condition of Secrecy, that was published posthumously. For today, though, I offer a long-form poem based on the alphabet and the pattern of the Fibonacci sequence of numbers (each number the sum of the two previous ones.) Yes, by definition it gets long – and no, I am not posting all 76 pages of it – but also ever more inclusive of the many aspects of our world. The alphabet pattern is slightly lost in English translation (a superb one) – it’s simply not possible to maintain the beginning letters. I don’t speak Danish, but I can “hear” the pattern. Here is the comparison for one of my favorite sections:

5

efteråret findes; eftersmagen og eftertanken
findes; og enrummet findes; englene, 
enkerne og elsdyret findes; enkelthederne 
findes, erindringen, erindringens lys;
og efterlyset findes, egetræet og elmetræet 
findes, og enebærbusken, ensheden, ensomheden 
findes, og edderfuglen og edderkoppen findes,
og eddiken findes, og eftertiden, eftertiden

5

early fall exists; aftertaste, afterthought;
seclusion and angels exist;
widows and elk exist; every
detail exists; memory, memory’s light;
afterglow exists; oaks, elms,
junipers, sameness, loneliness exist;
eider ducks, spiders, and vinegar
exist, and the future, the future

The poem gives me goosebumps every time I read it, with its intricate world-building, its ability to conjure the beauty of nature and the horror of our human potential for destruction, often in the same breath. Published in 1981, the psalm-like verses include the terror of nuclear annihilation, but the vision beneath it all really speaks to timeless ways of mankind endangering itself (and the planet) in our struggle for riches and power. It also reminds us of all that exists independently of us, to be cherished and protected.

My photographs are of some of the plants and trees she mentions.

Alphabet

(Excerpt)

by Inger Christensen

translated by Susanna Nied (1-8) and Pierre Joris (9-end)

1

apricot trees exist, apricot trees exist



2

bracken exists; and blackberries, blackberries;
bromine exists; and hydrogen, hydrogen





3

cicadas exist; chicory, chromium,
citrus trees; cicadas exist;
cicadas, cedars, cypresses, the cerebellum





4

doves exist, dreamers, and dolls;
killers exist, and doves, and doves;
haze, dioxin, and days; days
exist, days and death; and poems
exist; poems, days, death





5

early fall exists; aftertaste, afterthought;
seclusion and angels exist;
widows and elk exist; every
detail exists; memory, memory’s light;
afterglow exists; oaks, elms,
junipers, sameness, loneliness exist;
eider ducks, spiders, and vinegar
exist, and the future, the future




6

fisherbird herons exist, with their grey-blue arching
backs, with their black-feathered crests and their
bright-feathered tails they exist; in colonies
they exist, in the so-called Old World;
fish, too, exist, and ospreys, ptarmigans,
falcons, sweetgrass, and the fleeces of sheep;
fig trees and the products of fission exist;
errors exist, instrumental, systemic,
random; remote control exists, and birds;
and fruit trees exist, fruittherein the orchard where
apricot trees exist, apricot trees exist
in countries whose warmth will call forth the exact
colour of apricots in the flesh





7

given limits exist, streets, oblivion

and grass and gourds and goats and gorse,
eagerness exists, given limits

branches exist, wind lifting them exists,
and the lone drawing made by the branches

of the tree called an oak tree exists,
of the tree called an ash tree, a birch tree,
a cedar tree, the drawing repeated

in the gravel garden path; weeping
exists as well, fireweed and mugwort,
hostages, greylag geese, greylags and their young;

and guns exist, an enigmatic back yard;
overgrown, sere, gemmed just with red currants,
guns exist; in the midst of the lit-up
chemical ghetto guns exist
with their old-fashioned, peaceable precision

guns and wailing women, full as
greedy owls exist; the scene of the crime exists;
the scene of the crime, drowsy, normal, abstract,
bathed in a whitewashed, godforsaken light,
this poisonous, white, crumbling poem




8

whisperings exist, whisperings exist
harvest, history, and Halley’s

comet exist; hosts exist, hordes
high commanders, hollows, and within the hollows
half-shadows, within the half-shadows occasional

hares, occasional hanging leaves shading the hollow where
bracken exists, and blackberries, blackberries
occasional hares hidden under the leaves

and gardens exist, horticulture, the elder tree’s
pale flowers, still as a seething hymn;
the half-moon exists, half-silk, and the whole
heliocentric haze that has dreamed
these devoted brains, their luck, and human skin

human skin and houses exist, with Hades
rehousing the horse and the dog and the shadows
of glory, hope; and the river of vengeance;
hail under stoneskies exists, the hydrangeas’
white, bright-shining, blue or greenish

fogs of sleep, occasionally pink, a few
sterile patches exist, and beneath
the angled Armageddon of the arching heavens, poison,
the poison helicopter’s humming harps above the henbane,
shepherd’s purse, and flax, henbane, shepherd’s purse
and flax; this last, hermetic writing,
written otherwise only by children; and wheat,
wheat in wheatfields exists, the head-spinning

horizontal knowledge of wheatfields, half-lives,
famine, and honey; and deepest in the heart,
otherwise as ever only deepest in the heart,
the roots of the hazel, the hazel that stands
on the hillslope of the heart, tough and hardy,
an accumulated weekday of Angelic orders;
high-speed, hyacinthic in its decay, life,
on earth as it is in heaven



9

ice ages exist, ice ages exist,
ice of the arctics and ice of the kingfisher;
cicadas exist, chicory, chrome

and the chrome yellow iris, the blue iris; oxygen
indeed; also ice floes in the arctic ocean,
polar bears exist, as fur inscribed
with an individual number he exists, condemned to his life;
& the kingfisher’s mini-drop into the ice-blue rivers

of mars exists, if the rivers exist;
if oxygen in the rivers exists, oxygen
indeed; exists indeed there where the cicadas’
i-songs exist, there indeed where chicory
heaven exists blue dissolved in

water, the chrome yellow sun, oxygen
indeed; it will exist for sure, we will
exist for sure, the oxygen we breathe exists,
eye of fire crown of fire exist, and the heavenly
inside of the lake; a handle infolded
with bulrushes will exist , an ibis exists,
and the movements of the soul inhaled into clouds
exist, like oxygen storms deep inside Styx
and in the heart of wisdom’s landscape ice-light,
ice identical with light, and in the inner
heart of the ice-light emptyness, live, intense
like your gaze in the rain, that fine life-
iridescent rain where gesture-like
the fourteen crystal lattices exist, the seven
crystalline systems, your gaze in mine,
and Icarus, impotent Icarus exists;

Icarus swaddled in melting waxwings
exists; Icarus pale as a corpse in
civvies exists, Icarus all the way down where
the pigeons exist; dreamers, dolls
exist; the dreamers’ hair with cancerous tufts
torn out, the dolls’ skin pinned together
with nails, rotting wood of the mysteries; and smiles
exist, Icarus’ children white as lambs
in the gray light, will indeed exist, indeed
we will exist, and oxygen on oxygen’s crucifix;
as hoar-frost we will exist, as wind we will exist,
as the rainbow’s iris, in the shining shoots of
mesembryanthenum, in the tundra’s straw; small

we will exist, as small as bits of pollen in peat,
as bits of virus in bones, as swamp pink maybe
maybe as a bit of white clover, vetch, a bit of chamomile
exiled to the lost again paradise; but darkness
is white say the children, the darkness of paradise is white,
but not white as a a coffin is white,
that is if coffins exist, and not
white as milk is white,
that is if milk exists; white is white,
the children say, darkness is white, but not
white as the white existing
before fruit trees existed, their flowering so white,
darkness is whiter, eyes melt




10

june night exists, june night exists,
sky finally as if lifted up to celestial
heights and simultaneously pushed down as gently as when
dreams are visible before being dreamed; a space like
swooned, like saturated with whiteness, a timeless

knell of dew and insects, and nobody in this
gossamer, nobody understands that
autumn exists, that aftertaste and afterthought
exist, only these restless lines of fantastic
ultrasounds exist and the bat’s
jade-ear turned towards the ticking fog;
never was the globe’s inclination so beautiful,
never were the oxygenated nights so white,

so dispassionately dissolved, softly ionised
white, and never was the limit of invisibility so nearly
touched; june, june, your jacob’s ladders
exist your sleeping beasts and their dreams of sleep
exist, a flight of galactic germs between
the earth so earthy and heaven so heavenly,
the calm of the valley of tears, so calm and the tears
sunk back, sunk back in like groundwater again
underground; earth; the earth in its revolution
around the sun exists; the earth in its itinerary
through the milky way exists; the earth on its way
with its load of jasmin, and of jasper and iron,
with its curtains of iron, its portents of joy and random Judas
kisses and a virgin anger
in the streets, jesus of salt; with the jacaranda’s shadow
on the waters of the river, with falcons and hunters
and january in the heart, with the well of Japoto della Quercias
Fonte Gaia in Sienna and with july
as heavy as a bomb; with tame brains,
with heart jars or heart grass or berries,
with the roots of ironwood in the exhausted earth

the earth that Jayadeva sings in his mystic
12 century poem; the earth with its coastline
of conscience, blue and with nests
where the large heron exists, with its neck curved
blue-gray , or the small heron exists, mysterious
and shy, or the night heron, the ash-colored heron exist
and the degrees of wing beats of sparrows, of cranes
and pigeons; the earth with Jullundur, Jabalpur and
Jungfrau exists, with Jotunheim and the Jura
exists, with Jabron and Jambo, Jogkarta
exists, with earth-swirls and earth-smoke exists
with water masses, landmasses, earthquakes exists,
with Judenburg, Johannesburg and the Jerusalem of Jerusalems




*

atombombs exist

Hiroshima, Nagasaki

Hiroshima 6
august 1945

Nagasaki 9
august 1945

140.000 dead and
wounded in Hiroshima

about 60.000 dead and
wounded in Nagasaki

frozen numbers
somewhere in a distant
and ordinary summer

since then the wounded
have died, many at first, indeed
most, then fewer, but in the end

all; in the end
the children of the wounded,
stillborn, dying,

many, continuously,
some, finally the
last ones; in my kitchen

I stand and peel
potatoes; the faucet
runs and nearly
covers the noise of the
children in the yard;

the children yell and
nearly cover the noise
of the birds in
the trees; the birds
sing and nearly

cover the murmur
of the leaves in the wind;
the leaves murmur
and nearly cover
the silence of the sky,

the sky which is light
and the light which since
then has nearly
resembled the fire
of the atom bomb

Here is a musical rendition on Soundcloud. It might cut off if you don’t have an account, alas.

As an alternative, we can listen to Danish composer Carl Nielsen’s 4th symphony, The Inextinguishable, celebrating “the elemental will to live” against the backdrop of WW I. It feels weird to write this while by all reports Scandinavian and Baltic nations are standing their defense forces at attention giving the developing situation with Ukraine.

The Fate of Rebels

I could not believe my eyes. I had stumbled upon a pod of pelicans in Forest Grove, not just in the air on their southwards migration, but actually resting among the unperturbed egrets.

Here they were preening, snoozing, fishing as a fleet. Their large beaks can be adjusted in size not to hold food, as is erroneously presumed, but to serve as a kind of fishing net, which is not exclusively used for fish, by the way. Pelicans do eat smaller birds as well, including pigeons…

Pelicans have played a role in Christian iconography ever since the 3rd century. Some strange story, in a tractate called Physiologus, started to make the rounds: pelican mothers were claimed to kill their rebellious offspring, and then pecking their own breasts to revive them with their blood after three days. Comparisons to salvation history ensued, human kind being punished by G-d for its disobedience, but then the Son redeeming folks with his blood.

Detail from the Salimbenis’ Crucifixion: The Pelican

The punitive part of the story was eventually dropped, and the redeeming part enhanced. The narrative influenced art throughout the Middle ages, with images of pelicans feeding their chicks as a symbol of G-d’s sacrifice for his flock. The paintings could be found on tabernacles and the top of crosses, as well as frescos of Crucifixion scenes.

“These legends may have arisen because the pelican used to suffer from a disease that left a red mark on its chest. Alternatively it may be that pelicans look as if they are stabbing themselves as they often press their bill into their chest to fully empty their pouch. Yet other possibilities are that they often rest their bills on their breasts, and that the Dalmatian pelican has a blood-red pouch in the early breeding season .” (Ref.)

The point, though, is that rebellion was flagged, punished, and resolved with the pointer to salvation through religious adherence.

The Pelican Symbol

Christianity was not the first religion to imbue pelicans with symbolic meaning. In Egypt the birds were thought to be divinity and guide the passage of lost souls through the underworld. However much they were worshipped in those ways, their treatment on earth was not exactly preferential. Pelican populations in this country have been endangered in a variety of ways since the 1880s in competition for fish. “They were clubbed and shot, their eggs and young were deliberately destroyed, and their feeding and nesting sites were degraded by water management schemes and wetland drainage. Even in the 21st century, an increase in the population of American white pelicans in southeastern Idaho in the US was seen to threaten the recreational cutthroat trout fishery there, leading to official attempts to reduce pelican numbers through systematic harassment and culling(Ref.)” Pesticides and oil spills affect them as well, as do hooks of discarded fishing lines.

I hung out with the birds for a while, watching how comfortable they are with each other and how quiet (it is only chicks who vocalize during nesting seasons.) Pelicans are quite social, they have communal courtship rituals, they nest in colonies, they hunt together and they often fish as a fleet.

They eventually took off, single birds rising, then forming groups, circling in formation trying to find the thermals that would lift them to traveling height.

The circles reminded me of another iconography of rebellion, one probably approved by pelicans prone to comradeship. I learned about these solidarity circles which somewhat protected rebels from persecution from comments by Nick Kapur, a Professor of History at Rutgers with a focus on Japan and East Asia.

“In Japan’s Edo Period (1603-1868), when impoverished peasants finally couldn’t take it anymore and decided to revolt, they would sign their list of demands with all their names in a big circle. They had specific reasons for doing this: First, this format expressed their solidarity and commitment to each other, like an endless ring that cannot not be broken.

But perhaps more importantly, the usual way daimyo lords dealt with peasant revolts was torturing and executing the ringleaders but letting everyone else live. After all, they needed peasants to till the fields! By signing in a circle, nobody could tell who the leaders were.”

Apparently, these kinds of circular documents – now known as Round Robins – could also be found in 17th century French petitions to the Crown, in the British Royal Navy when sailors petitioned officers, and in the Spanish American War with demands that embarrassed then President McKinley.

Here’s to pelicans’ unity, robins’ evasiveness, to solidarity and rebels of all kinds! And nature’s endless ability to lift my spirits with surprises.

Music today by an adventurous young artist who is performing Edward Lear’s poem about pelicans (Pelican Chorus) in a Hungarian bath house.

L’Shana Tova

May the New Year (5782) be one where justice, kindness, rationality and health prevail.

I usually make a photomontage that captures the sweetness of apples and honey – a traditional food for Rosh Hashanah. I was unable to come up with an idea this year, too depleted by all the endlessly depressing news, in both our public and personal lives.

Got lovingly scolded by many a friend for allowing hopelessness to sneak in and settle. So, in defiance of the darkness around us, I photographed bees in the light – there’s at least an indirect connection to honey…

I will take a break for the High Holidays and resume my observations after Yom Kippur.

Shanah tovah u’metukah – wishing a good and sweet year for those who celebrate,

and wishing everyone else goodness and sweetness without a special occasion. You WILL miss out on the honey cake, though!

Stay safe. Stay strong. Stay kind.

Music is by Ernst Bloch, one the orchestral version of Jewish Life, the other a version with cello and piano of the Prayer movement.

Plagues Be Gone

As we enter Passover I am fondly remembering the glee with which the kids recited the 10 plagues at the annual Seder table. That part of the service is accompanied by dipping your finger into red wine and, if you’re 8 years old, wildly flinging the drops across the table instead of gently letting them fall onto your plate. Washer women (well, people) of the world unite!

Remembering the plagues that befell the Egyptians who held the Israelites in slavery – water turning to blood, frogs, lice, flies, livestock pestilence, boils, hail, locusts, darkness and the killing of firstborn children – is an important part of Jewish tradition, mindful of suffering and existential threat across history, as well as the belief that G-d’s protection will eventually come through.

I was reminded of the plagues when I ran across new research that claims to affect the breeding and feeding behavior of disease-transmitting mosquitos, by blasting them with techno music. Apparently the dub beats interfere with wing beat synchronisation of the mating couples necessary for success. Wouldn’t that be a grand alternative to chemical eradication? The video in the link above shows the lab work, short and fascinating.

Do those plague narratives, faithfully handed down from generation to generation, have any grounding in fact? Archeological research offers some options.

  • The first suggests that the volcanic eruption on the island of Santorini in the south of Greece around 1620-1600 BCE sent ashes to Egypt. They included the mineral Cinnabar which would have turned the rivers red. The generated acidity would have made the frogs jump to their death. Insects buried larvae in dead bodies which increased the noxious insect population. Acid rain could have caused the boils on people, poisoning the grass and in turn the livestock, with hail increasing humidity that fostered locust breeding. Volcanic eruption would also account for the many days of darkness that we hear about.
  • The second theory suggests red algae as the causal culprit.

“Red algae could have sucked oxygen out of Egypt’s waterways, killed the fish and turned the water red. Just as in the volcano theory, frogs then leapt out looking for food, and died. Without frogs to eat the insects, the pests proliferated and feasted on corpses, a feeding frenzy for flies and locusts. The paper argued that the lice could have been a type of insect called culicoides, which can carry two diseases that could explain the livestock deaths: African horse sickness and Bluetongue. The boils on humans could have been caused by glanders, an airborne bacterial disease spread by flies or tainted meat.”

In this theory the darkness was coincidentally caused by a sandstorm. It would have left the crops moldy, which could have produced airborne toxins that might explain widespread childhood death.

  • The third claim concerns climate change. Research on stalagmites —elongated mineral deposits that form out of calcium in precipitation — suggested that there had been a dry period towards the end of the rule of Pharaoh Ramses II. That change would have dried up the Nile and significantly slowed down the flow of water, ideal conditions for red algae to develop.

The central religious message of punishment for the oppressors’ reluctance to abandon slavery does, of course, not care about scientific models. The core insight that people cling to their power, their advantage, their “traditional rights,” at the expense of those they harm, exploit, abandon is a universal one, true for us today as much as for those 3500 years ago. The desire to believe that the harm that befell the Egyptians was G-d given punishment is, in my view, our clinging to the ideal of a “just world.” I’m convinced it takes our own actions to ensure that justice is restored – and this year we might as well start by eliminating a source of enacted racism and reluctance to yield power: the Filibuster. 11th plague, be gone!

Music today is one of the most transcendental movements I know, written in Bartok’s last year of life while dying from leukemia. It has insects chirping in the middle, thus the connection, but it also radiates a kind of grounding that religious tradition can install.

Chag Sameach to all who celebrate Pesach, Happy Easter to others and Happy Spring to the rest!

Photographs are of butterflies rather than creepy crawlers. I assume you’ll thank me.

Of Presepi and Snark and Pique

I got scooped by the New York Times. Well, I had started to write about a tempest in a manger on Thursday and then this article about it appeared in the NYT on Friday: uproar over the Vatican’s choice of a publicly displayed Nativity Scene.

The Italian word for creche or nativity scene is presepe, Italy the latter’s place of birth, as well as the place where controversy erupts over the Vatican’s annual choice of what they display in St. Peter’s Square at this time of year.

The 2020 scene is made up of large, somewhat abstract, cylindrical ceramic figures made by high schoolers in the late 1960s to early 1970s. Displayed are a few pieces of a 54-statue collection which include a blonde Mary, the Magi, a bagpiper, an executioner, a shepherdess holding a jug and even an astronaut, meant to reference the history of ancient art and scientific achievements in the world. (All images of the creche are from the articles below.)

The Vatican has called the Nativity scene “contemporary and unconventional,” hoping it would entice viewers to dig deeper into their faith and understanding. The presepe is “infused with contemporary events from recent years” that include “setting foot on the moon, the Second Vatican Council and the abolition of the death penalty” (the latter two themes reflecting matters being close to Pope Francis’ heart). (Ref.)

The “milder” criticisms attack “its post-modern artistic look, which critics say radically breaks with traditional Nativity scenes and fails to evangelize or inspire others about the mystery of the Incarnation.”  (It sure inspires about the mysteries of high-school art, though, don’t you agree?)

Others complain that in this year of all years we need something traditional and tender to counteract the constraints on Christmas as usual.

Then there are those who assume the negative reactions are simply the result of not understanding the Nativity scene: “this was something that Pope Francis commissioned. And obviously, the whole anti-Francis brigade went berserk.” (Details in the link below)

None of these compares to our very own Breitbart News, though, linking to a website Now the End Begins, which calls the Pope the anti-Christ:

“THE NIGHTMARE BEFORE CHRISTMAS: VATICAN UNVEILS VISUALLY REPULSIVE 2020 NATIVITY SCENE THAT WOULD BE RIGHT AT HOME IN ANY HORROR MOVIE”

The Bible tells us in Isaiah 14 that Satan wants to be just like God, wants to take everything God has, pervert it, and present it as deception. If Satan was to design a nativity scene, it would be unsettling, repulsive, ghastly, creepy, and it would stand in utter opposition to Almighty God. This is exactly what Pope Francis and the Vatican have given the world, a nativity scene that glorifies the Devil in this crazy year of 2020 where the Devil has been given a charge to begin preparations to rule the world for 7 short years during the time of Jacob’s trouble.

Still read by millions of people. I must admit this was the first time I actually went to a site like this, and felt like I landed in a truly unknown world.

Unknown to me is also the Abruzzo region of Italy where the traditional pottery, developed by Benedictine monks in the middle ages, is centered around the town of Castelli. It is where this year’s presepe was created at the local art school, Liceo Artistico F.A. Grue some 50 years(!) ago, trying to educate kids in the traditional crafts of the region.

Maiolica, a ceramic bathed in a tin-based opaque white glaze and painted with bright colors became a trade mark by 15oo. The town made a name for itself with “historiated,” or story-telling ceramics decorated with popular scenes from religion and mythology.

(This plate could be yours for a trifling $3,321….)

Watercolor-like landscapes that treated the white glaze like a blank canvas also delighted the noble classes who consumed these pieces.and is now collected in museums around the world, The Met in NYC, the Hermitage and the Louvre included. (Links lead to display of their maiolica exhibits.)

A far more extensive and perhaps informative collection can be found in the local museum, Castelli Museo Ceramiche which was luckily spared by the 2016 earthquake.

Back to the presepi, though, in this week’s quest for seasonally appropriate cheer. They light up in some parts of Italy, and include tons of references to present-day issues and stars, from Milan to Naples. Here is a lighting ceremony in Liguria.

Photographs today try to capture the range of Nativity scenes I encountered in Italian churches across my travels. Cylindrical they ain’t….but they all stand for something that still carries with it a sense of hope.

Decoy

I haven’t touched politics on this blog in a while, partly because my brain’s average speed is slow-motion these days, and partly because I wanted to counterbalance the woes of our world with something more positive, viz. poetry.

However this weekend I came across an article that taught me something new, and I think in the context of Amy Coney Barrett’s Supreme Court nomination and the sly refusal to say the quiet parts out loud by certain members of the current administration and Congress, it’s worthwhile reporting what I learned.

Randall Balmer, an eminent historian of religion who holds the John Phillips Chair in Religion at Dartmouth at Dartmouth College and is also an Episcopalian priest, has extensively written on religious subcultures and politics in the U.S., his most recent book Evangelicalism in America. Much of his work teaches us about the history of evangelicalism and the fact that it was not always allied with the Religious Right, but instead had progressive historical roots which saw a remarkable resurgence in the 1970s, after evangelicals had withdrawn into a more isolated subculture during midcentury, fearing the corruption of their children by the world at large. Last year he wrote,

“evangelicalism, in contrast to the Religious Right, has a long and distinguished history. Evangelicals set the social and political agenda for much of the 19th century. They advocated for the poor and the rights of workers to organize. They supported prison reform and public education. They enlisted in peace crusades and supported women’s equality, including voting rights.”

Here is the, for me, new and interesting fact of how evangelical leaders and the Religious Right joined forces in the 1970s, ousting one of their own, Jimmy Carter, and forming the basis of the movement that in 2016 had sworn allegiance to our current president – 81% – 4 out of 5! – of evangelicals voted for Trump in 2016.

Although Falwell and his minions claim that coalitions were formed around the issue of abortion, the inconvenient truth is that they mobilized politically to defend the tax exemptions of their racially segregated schools, including Bob Jones University. The tale that the U.S. Supreme Court’s 1973 Roe v. Wade ruling outraged enough Christians to the point where they joined the Religious Right, Balmer claims, is just that: a convenient tale around an easily communicable issue of morality. If you look at the early reactions among Evangelicals to the Roe ruling, there was either silence, or approval, or at most mild criticism of the ruling.

Instead, it was another court decision that lead to the jointly organized political power we see on the Right today: it was about segregated schools and their tax exempt status as charitable institutions. In the aftermath of desegregation of public schools, the number of private schools that enrolled only White kids exploded. It was all about keeping Blacks out and preventing White children from being influenced by a worldly culture that questioned traditional norms and the tenet of the separation of the races.

On June 30, 1971, the United States District Court for the District of Columbia issued a ruling Green v. Connally that upheld a new IRS policy instituted by Nixon:

“Under the Internal Revenue Code, properly construed, racially discriminatory private schools are not entitled to the Federal tax exemption provided for charitable, educational institutions, and persons making gifts to such schools are not entitled to the deductions provided in case of gifts to charitable, educational institutions.”

Eventually in 1983, the US Supreme Court, in an 8-1 decision (those were the days) ruled against Bob Jones University as a tax exempt institution. The Moral Majority wouldn’t have it – but was also clever enough to know that it could not run publicly under the banner of racial discrimination. What standard to rally around then? Religious freedom? School prayer? Hey, legalized abortion! The perfect decoy.

If representatives of the Religious Right, of which Barrett surely is one, are to become Supreme Court Judges at a time where racism, racial segregation and voter suppression along the lines of race are central to the body politic, it seems to me that this is what needs to be explored in the nomination proceedings, rather than allowing abortion – and obfuscation on positions regarding abortion – to be dominantly used as a screen issue.

To end on a slightly comforting note, here are some encouraging thoughts, although they might involve a time horizon that is too late for many of us:

Yet that same conservative court majority may also serve to isolate and limit the Republican Party’s appeal in a country growing more racially and religiously diverse. Already, according to Public Religion Research Institute data, fewer than three in 10 adults younger than 30 identify as White Christians. The GOP is installing a court majority whose views may collide explosively over the coming decade with the dominant perspective among millennials, Generation Z and the younger generation behind them on questions ranging from abortion to racial justice, climate change and gay rights. Replacing Ginsburg with Barrett on the Supreme Court represents a triumphant moment for the conservative social and legal movements. But if the court majority cemented by Barrett alienates the rising generations who will represent the nation’s largest voting bloc by the middle of this decade, that judicial victory could turn to electoral ash.

Now why does that bring Actus Tragicus to mind? Bach will help us start the week….

Photographs today are mostly from my outer Sunset working class neighborhood.