Browsing Category

Garden Design

Got Milkweed?

· Lepidoptera Patterns ·

On those days where my body is off and my brain stuck in first gear, I have to practically force myself to go out for a walk. I’m so glad I did this last Saturday, one of those days, and chanced on a garden planted for butterflies while walking along the tree-shaded streets of the Irvington neighborhood.

As luck would have it, the owner of the property, attired in a butterfly sweatshirt that distracted from her porcelain features and clear blue eyes, was out there weeding and perfectly happy to show this stranger around.

Ida Galash has been interested in butterflies all of her life, a passion that led to the decision to plant a serious butterfly garden about 2 years ago. It hosts zinnias, dahlias, Japanese anemones, fuchsias, coneflowers, lantanas, fig tree, roses, crepe myrtle bushes and so many more, arranged with an artistic eye.

The crucial ingredient is, of course, milkweed. This plant is the singular food source for Monarch caterpillars, and it comes in a variety of shapes and forms. Poisonous to the core, it took one of those evolutionary miracles that the monarchs adapted to this plant by only three simple genetic mutations, storing its toxin in their body as a defense against birds.

My luck in finding this garden pales compared to the owner’s when a monarch actually deposited eggs in her garden some weeks ago.

Or maybe it was not luck but nature’s grateful reciprocity towards someone who has become a guardian of dwindling resources in a world where monarch butterfly habitat disappears by the minute. Between climate change, forest fires and ever-more built-up environments, the butterflies are under enormous stress in their migrations.

Ida carefully collected the eggs, sharing them with another monarch enthusiast and protected them against predators and suddenly cool nights in various forms of shelter. They did hatch after a few days and the larva (caterpillars) happily munched on freshly provided milkweed leaves.

Two weeks later they attached themselves to a leaf or stem via little threads of silk that they spin and then the metamorphosis into a gold-flecked chrysalis began. Eventually a fully formed butterfly will emerge, about 10-15 days later.

Here is the chrysalis.

During the course of a summer there will be 4 generations of monarchs going through this cycle, with all but the last one having an average life span of about 6 weeks. The 4th generation, emerging from eggs usually laid in September or October, will live many months, enough to migrate to California or Mexico to survive the winters in warmer weather, before it returns to the NorthWest in early summer.

If it returns. Monarchs, although weighing less than a paperclip, make their way South and back along three butterfly “highways,” but the numbers are steadily falling. It is not just the loss of their habitats, which have been subsumed by intensive monoculture, orchards, vineyards and farms, but also the decline of species of the milkweed plant, the only one that can sustain their breeding. Pesticide use has decimated them. Warming ocean waters intensify hurricanes that kill the monarchs on their flight. Trees used for roosting are sickened by unusual heat and diseases that flourish with climate change, or logged for insatiable commercial interest.

If you want to read a spirited book about their quirks and voyages, borrow a copy of Wendy William’s The Language of Butterflies How Thieves, Hoarders, Scientists, and Other Obsessives Unlocked the Secrets of the World’s Favorite Insect.

If you want to read an intensely moving essay about conservationists and their fight for the survival of monarchs, check out the attachment below. It is long, but worth it, and includes for us Oregonians a depiction of a local miracle: a female monarch defied the “disperse your eggs widely” rule and laid some 600 eggs in one garden in Brookings, OR. Over the next months they counted 2700 in that yard, and more than 5000 across the small town.

Individual actions matter, whether planting a garden with the appropriate habitat, or helping others to do so. I found various suggestions on this informative website. In general you can think about distributing seed packages to Halloween trick or treaters, to schools, to restaurants or any community organization. You can also spread the seeds in public areas in hopes some will take, rewilding, in some ways, what was once the natural habitat. You can get kits and together with your children grow butterflies at home and release them after they emerge. You can fill goodie bags for wedding guests with seed packages instead of chachkas. More tips can be found on the Portland Monarchs FB site, where I also discovered this visual time line:

And all this can be done in the relative safety of these Northwest parts. Actually, I should not treat the topic of safety lightly. As it turns out numerous key figures in the preservation movement for monarch butterflies have been either threatened severely or killed outright last year.

Mariana Treviño-Wright, executive director of the National Butterfly Center in Mission, Texas, has endured months of escalating rape and death threats in response to her butterfly conservation work along the Rio Grande. The center is an ecological mecca and home to 240 species of butterflies, a third of the total found within the United States…she has found herself in the crosshairs of white nationalists hellbent on erecting a border wall…By the time of a restraining order, though, Build the Wall’s three-and-a-half-mile “border” wall in Mission was well under way, and the National Butterfly Center estimates that for every mile of barrier, twenty acres of habitat are obliterated. The sanctuary’s ecological value exceeds the life within its boundaries, for it serves as a vital natural corridor, not least for monarchs on the move. The towering wall and razed habitat threaten far more than human and butterfly migrants. If the Rio Grande floods—as it did in 2018 when the river rose sixteen feet overnight—fleeing wildlife such as bobcat, coatimundis, and peccaries will literally hit a wall and drown en masse.” (Ref.)

Some 700 miles south, two butterfly preservationists were actually killed. Homero Gómez González, who managed Mexico’s El Rosario Monarch Butterfly Preserve, got in the way of illegal logging – the desirable oyamel firs down south anchor the butterflies’ life cycle and are already stressed by climate disruption – as well as clandestine avocado growing, making enemies of those who saw potential earnings dwindle.

Raúl Hernández Romero, who worked as an ecotourist guide in a section of the vast Monarch Butterfly Biosphere Reserve that UNESCO declared a world heritage site in 2008 and who vocally denounced logging as well, was stabbed to death in the same week. Both murders occurred in the Mexican state of Michoacán, directly west of Mexico City. Michoacán is home to the world’s largest monarch roosts, but it is also a hotspot for violence stemming from organized crime.

They are not the only ones. The annual report of Defending Tomorrow chronicles the persecution and assassination of environmental defenders worldwide. The international organization focusses on abusive actors, misuse of power and financial flows, but also now on the climate crisis. In 2019 Mexico ranked as one of the most dangerous societies in which to take a stand for environmental and human rights.

The threat to butterflies really comes from all angles. Let’s give them a hand. Or a plant, as the case may be. Got milkweed?

And this from a poet born in 1830:

Milkweed

Helen Hunt Jackson

O patient creature with a peasant face, 
Burnt by the summer sun, begrimed with stains, 
And standing humbly in the dingy lanes! 
There seems a mystery in thy work and place, 
Which crowns thee with significance and grace; 
Whose is the milk that fills thy faithful veins? 
What royal nursling comes at night and drains 
Unscorned the food of the plebeian race? 
By day I mark no living thing which rests 
On thee, save butterflies of gold and brown, 
Who turn from flowers that are more fair, more sweet, 
And, crowding eagerly, sink fluttering down, 
And hang, like jewels flashing in the heat, 
Upon thy splendid rounded purple breasts.

Photograph from poison control website.

What I saw in real life across the last weeks were a California Sister, an Admiral and a Western Swallowtail if I read the guide books correctly.

Here sings Schubert’s butterfly. And here are hands made by Chopin to flutter like a butterfly.

Old – and magical

There are days where magic needs to come to the rescue. Luckily for me, all I have to do is visit a friend’s house in SE Portland and choose between two kinds of otherworldly delights: her homestyle Italian cooking, handed down through the generations of her family, or her fairy garden. Either one is guaranteed to pull me back from the brink of depression.

I love fairy gardens, unabashedly so. The whimsey in their construction appeals to me and the enchantment they bring to the kids of the neighborhood, or the part of my soul that preserved some childlike longings, is a sight to behold.

This particular garden runs the length of the property, nestled in a carefully planted stone garden wall that borders the sidewalk. Kids can walk right up to the displays – and they do, rearranging and playing, eager to go on their walks if this is the destination. By the evening, my friend has her own time to play, inspecting the configurations and changing what needs changing. Double joy. During the years not a bit has been stolen or destroyed, quite a feat.

Fairies are generally associated with the British Isles.The oldest fairies on record in England were first described by the historian Gervase of Tilbury in the 13th century. They come in hundreds of configurations, some benign, some not, some luring you to your death in the moors, some helping you with household chores – but they all have a knack to appear an disappear at will, untraceable.

Flower fairies, the gossamer, wing-bedecked beauties that many of us think of when fairies are mentioned, were the creation of Cicely Mary Barker. First she illustrated a series of postcards in 1918, now desirable collector items. Her books, published in 1923, contained botanical accurate drawings of some 170 flowers, accompanied by her sweet inventions. It charmed the children (and adults alike) while simultaneously conveying knowledge about flowers essential to the art of English gardening. Museums now devote exhibitions to the work.

One of the many proud moments of my own parenting history concerned my then 6-year old boy’s discovery and passion for those books during a sabbatical that our family spent in Cambridge, England. He never let go, even when teased in stupid gender-stereotyping ways, and I am happy to report that he has become an avid gardener now as a grown-up.

Miniature gardening – which eventually became home to the display of little creatures – has a long history, really across continents, just think of Japan’s Bonsai culture. In Europe, it was engineer, gardener and author Annette Ashbury who in the 1950’s decided to offer miniature gardens to people who had lost their ability to garden on a large scale due to age or disability. She thought working with containers on table tops or other elevated surface would help ease the burdens. Quite a remarkable woman of German-Jewish descent whose parents had emigrated to England. (If you have time, read the short bio in the link above – she is another one of those stunning accomplished women nobody knows about.)

Her book Miniature Gardens was an instant classic. These days whole societies are devoted to the creation of these tiny living tableaus. And the boom in interest both here an in the U.K. has led to huge commercialization of the props, selling at a brisk pace in specialized fairy garden departments of nurseries and specialty shops.

Here is a list or public fairs gardens for the next trip to the U.K., should we ever travel again. They’ve become, alas, quite industrial.

I’d rather stay with the layperson’s version, like the one on SE Rural St., and remain ignorant of the sources of delight, with intact fantasies of fairies and accoutrements appearing out of nowhere. Magic it shall be.

And we might extend our unabashed inclination towards fairytales to the music today as well. Prokofiev’s Cinderella Suite has multiple fairies summoned by the fairy godmother.

Early Smell

Today you have to do your part – I did mine by photographing the lilac bush in the garden and also going back to the archives to pick photographs from a place I would usually visit right now. It is a funky little garden north of here in Washington, planted over a century ago with countless species of lilacs. Your mission, should you choose to accept it, is to use your imagination to provide the smells, some of the most fragrant of all of spring.

Hulda Klager was a German immigrant in the late 1800s, who got her hands on a book about hybridization in 1903. She started hybridizing lilacs two years later and from then on there was no stopping her. Her reputation grew, people ordered, communities vied for being the recipient of the newest annual variety, and she pretty much did it on her own.

Edouarde Manet White Lilacs in a Glass (ca. 1882)

Even the large Columbia River flood of 1948 which basically eradicated her garden was tackled by her with absolute determination: people would return saplings of many of the plants purchased across the years so she could start the garden fresh. She lived to the ripe age of 96 and the garden was eventually taken on by the Woodland Federated Garden Club who founded the Hulda Klager Lilac Society and managed to have the place dedicated as national landmark.

Lawrence Preston Lilac Study #2 (2011)

It is small. It is fragrant. It is weirdly old-fashioned at first sight, the house in some ginger bread way and the garden art leaning towards fairies. It is busy with tourists for exactly two weeks a year, by the busload pre-Covid.

Christiaen van Pol Lilac Blossoms (ca. 1800) – Philly friends you can see this at PMA!

It is also a place of true beauty, capturing the love and skills of a plant enthusiast and the many volunteers in her footsteps who have made preservation possible. I am always amazed at the dedication of people who love plants that bloom for only a microsecond – lilac and peonies among them.

Peter Faes A Marble Vase with Lilac and other Flowers on a Marble Shelf (Undated)

I am truly sad I won’t make it there this year. Maybe next.

Rachmaninoff’s Lilac captures something very specific at the end of the short composition – the way the little parts of each blossom drift down like confetti when the bloom nears the end. I love that piece, here played by the composer himself.

Vincent van Gogh Vase with Lilacs, Daisies and Anemones (1887)

And here is Lilacs by George Walker commissioned by the Boston Symphony Orchestra that won the Pulitzer Prize for music in 1996.

Gustave Baumann A Lilac Year (Woodcut 1951)

Botanical Numbers

207 acres, 120 of them filled with 16 themed gardens. 15.000 different varieties of plants. $25 entrance fee. 6 head gardeners, 1200 volunteers, 485 permanent employees. With an endowment of more than $400 million (and half a billion dollars raised since 2001 with the help of former Reed president Steve Koblick) the Huntington Library, Art Collections and Botanical Gardens is among the wealthiest cultural institutions in the country.

4 major living plants collections among them orchids with over 10.000 plants, 3,600 unique varieties, representing 280 genera, cycads with over 1500 specimen, 80 different camellia species—sasanqua, japonica, reticulata, hiemalis, vernalis, tunghinensis, nitidissima, and semiserrata, to name just a few—and some 1,200 cultivated varieties, and bonsai holdings in the hundreds, from centuries-old twisted junipers to majestic pines, stately elm forests, and more.

1 Heuer. 1 hour. 1 heartbeat to decide that hour would be spent among the cacti in the desert garden.

The light was fading, there was a diffuse mist in the air, the Huntington Botanical Garden was closing soon – the ride from L.A. to Pasadena had been a Friday-rush-hour-traffic nightmare and I got there late.

In short, the ideal conditions for an absolutely magical hour, practically no-one around, silence descending, and the beauty of the plants enhanced by the softness of the damp dusk.

The desert garden I saw is a marvel. It’s one of the largest in the world and almost a century old. It features more than 2,000 species of succulents and desert plants in sixty landscaped beds. Here are bits and pieces I learned from the Huntington’s website:

It is said that when the first English botanist saw the Fouquieria columnaris, he thought it resembled the fantasy creature from Lewis Carroll’s The Hunting of the Snark and dubbed it “Boojum.”

The ribs of the golden barrel cactus resemble an accordion, expanding and contracting as the plant stores and uses water. Many of the golden barrels you see here were planted from seed before 1915 and now weigh several hundred pounds.

Beaucarnea, Bottle Palms, unlikely members of the agave family, are some of the oldest specimens in cultivation, and among the earliest plantings in the Desert Garden. Many species of agave terminate their life cycle by generating a branched inflorescence to 30 feet.

In other words, one last hurrah and then you’re dead…. well, I know I’ll die content having seen these masses of plants in their beauty, variety, strangeness, and incredible economy of survival in hostile environments.

Not that I currently plan on it, dying that is. I am instead scheduling return trips to this botanical garden to see the rest that’s on offer. Next time I’ll know to reserve a full day!

And in case beauty isn’t enough, looks like some of these species are medicinally useful. I cannot, of course, verify those claims.

Music today is what I listen to when I am happy, ever since 1970 when I first discovered Gismonti.

Spring Showers

To round out this week devoted to the natural beauty around us I paid a visit to the tulip farm. It ain’t Keukenhof, the Dutch garden, but it ain’t shabby either. Jumping from puddle to puddle, dodging rain clouds, trying to argue with yet another shower threatening my camera, I had a grand time.

It’s still early, more than half of the fields not yet in bloom, and the place going to be open for almost another month. But the foliage alone was thrilling, and what was open did not disappoint.

Neither did the perennial viewing of humanity; some dressed to match the flowers, or at least their color;

some ignoring the weather and appearing in apparel more fitting for July;

some clutching their unicorns, or shivering in their cow mobile,

and the workers on break happy to rest those muddy limbs and heavy rain coats.

Did I mention it rained? It surely made for beautiful light. And it felt like spring, a riot of soft, muted color, and pastel air.

Some new sights,

Short-stemmed, nestling like Easter eggs

and some names that made me smile.

My intention to post Sylvia Plath’s Tulip poem evaporated upon re-reading. It is just too depressing, written from hospital when she was undergoing surgery and on war-footing with those gorgeous flowers that disturbed the waxen peace of the ward. I will attach a link all the way at the bottom where she reads it herself only for those who need a dose of downward comparison.

It shall be William Wordsworth instead (and I just happened to photograph daffodils as well….):

Daffodils

I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed – and gazed – but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

So much dancing in that poem, so much dancing in my very own grateful heart from the joy that is spring in Oregon, dark skies or not.

And here is the perfect garden-in-the-rain music….

Spruced up dreams

I always know that I am starting to climb out of the emotional or physical hole du jour when sparks of longing fly in the direction of travel. And yesterday’s visit to a local garden surely set off visions of possible destinations.

I had not been to the Oregon Garden in Silverton since its opening some 18 years ago, even though it is a mere 50 minute ride from my house. The botanical garden sure has come a long way since its inception and is pleasant enough (particularly when you contend yourself with the fact that some of the garden “art” seems to elicit happy squeals at least from the short set.)

The garden, literally, came into existence because of a “big stink.” The rural community of Silverton failed to meet sewage regulations in the 1990s. At the same time the Oregon Association of Nurseries, one of the biggest industries in the state, was looking for a location to showcase their products, which needed, however, a lot of water. A rare match between public agencies and private industry was made:

Committees met, plans were drawn, acreage was acquired, bonds issued, checks written and before long the dream was realized. Today Silverton has new wastewater treatment facilities that send up to a million gallons of treated effluent to an array of more than twenty terraced and connected ponds that were excavated from a gently sloping 250 acre hillside. That network eventually delivers a limitless supply of treated irrigation to an 80 acre group of variously themed plantings that today make up the Oregon Garden. http://western.conifersociety.org/reference-gardens/the-oregon-garden/


The 80 acres are divided into some 20 specialty gardens, including one for the senses, one for kids, one that’s pet friendly, a rose garden, a fuchsia section etc. – you get the idea. The website informs about all of them, although their “what’s in bloom” section sadly lags some months behind.

Quite a bit was in bloom, as it turns out, and as with any spring visit to any garden, you got a good glimpse at the underlying structure of things, not yet obscured by color riots of strategically planted annuals, or waves of perennials. And the structure is solid, if, honestly, unexciting.

Except, except: They have an amazing collection of conifers, of all kinds, all heights, all countries of origin, amassed in a small area, showing off a tapestry of texture (full disclosure: that last term was provided by a gardener friend when I searched for words trying to describe the conifer convention.)

The tight spacing allows you to appreciate the variety of tree forms, needle shapes, colors. Spruce green is but the least of it.

Dwarf and miniature conifers are collected and tended with the help of the Western Region of the American Conifer Society (ACS) which has a continuing impact on the design of this garden.

There were more than 400 conifers already 10 years ago and a serious expansion was announced in 2013 – I could not find current numbers.

Clouds of pollen billowed from the trees when walking through them, looking like smoke, carrying my thoughts to more exotic sites of famous conifers.

Should I go to the Monumento Natural Bosques Petrificados de Jaramillo in Argentina, where they have ancient fossilized conifers dating to the Jurassic Period? Advice like this makes it tempting…. “You need to carry drinking water, food and petrol, as the closest town is located more than 200 km away.”https://www.patagonia-argentina.com/en/petrified-wood-natural-monument/
 
 

Or what about this: back to my beloved Holland where you can find the most complete collection of Gymnosperms in the world at Pinetum Blijdenstein, a conifer botanical garden near Hilversum? http://www.pinetum.nl/?language=UK

Then again, the world’s largest natural maze beckons in Switzerland. The Evionnaz labyrinth is made from 18.000 (!) Thuja conifers….

https://whenonearth.net/get-lost-in-the-evionnaz-adventure-labyrinth-switzerland/

Open for suggestions! In the meantime we’ll listen to music by Sibelius celebrating the lakes and conifer forests of Finland. Photographs from the Oregon Garden.

Here is an OPB clip by Jacob Pander on the garden:https://www.opb.org/television/programs/artbeat/segment/oregon-garden-art-scultpture-collection/

Art on the Road (4) – Longwood Gardens

I have always felt that gardens, carefully planned, tended, designed gardens, can be a form of art. Add to the garden an additional creative element – fountains that move water in magical ways – we can include a garden, Longwood Gardens, in this week’s Art on the Road series unhesitatingly.

(For those of you expecting yet again contrasting takes as per theme of the week, I spare you the sight of my garden – a.k.a. the Buttercup Biennale – and me the embarrassment.)

Longwood Gardens, about an hour away from Philadelphia, were originally created around 1906 by yet another man with a passion, means and openness towards philanthropy: Pierre S. du Pont. A traveler after my own heart with a keen interest in technology and a sucker for spectacle, he created not only beautiful and increasingly impressive gardens, but established a series of waterworks that are indeed spectacular, particularly in their new, just recently opened form. Attached is a short clip that explains these developments. (I had to bite my tongue when the fountain display designer talked about using both sides of the brain – that old misperception of where creativity and rationality are lodged…. but other than that I found him amusing.)

 

 

 

 

I obviously saw the daylight version, which was impressive enough. The nighttime technicolor performance is on my list for another visit, it must be a sight to behold. From the catalogue: “After a two-year, $90 million dismantling and near-total rebuilding of a fountain garden unveiled in 1931, the revived five-acre garden increases the number of fountains from 380 to 1,719 and incorporates LED lights that will bring colors unknown to the old show — along with bursts of water propelled by compressed air and flames of propane gas that flare atop columns of water. The jets sway and pirouette to music on a stage of interlaced basins, canals and circular pools. The highest reach 175 feet.”

$90 millions – I wonder how the Flint, MI water supply could be improved against lead poisoning with such numbers…..

But really, for me the garden itself was the jewel. I forget how big it is (enormous is a specific enough description, trust me), but I remember that 1600 people are working on it either as employees or volunteers. They have gone to green power, pursue new projects that include native plants and an 86 acres meadow garden that focusses on ecological design.

https://longwoodgardens.org/gardens/meadow-garden

At this point in the year the subtlety of large swaths of creeping blue phlox under the bright green new leaves were a highlight. So was the still golden color of the emerging leaves on the young copper beeches, and the already reddish version on the mature trees.

 

 

Carefully tended flower walkways (that alas included my pet peeve of combining plants that do not naturally co-ocurr in a given season, viz. snapdragons next to the tulips) alternate with stretches of park dominated by old growth trees or french design hedges.

 

I did not have the time or energy to explore the vast conservatories, and the day was too beautiful anyways to stay inside. It was enough to marvel at all the vision and care that went into this place from the very beginning, as well as, frankly, money. Which brought me to random thoughts on philanthropy in general – do people support causes because they want to leave foot prints? Because they have to somehow spend some of all these riches and might as well do so to applause? Do they mainly care about making the world a better place? Are yesterday’s art collections and water gardens today’s space exploration? Sort of boys and their toys? As it turns out this morning’s NYT has someone touching on the same topic:

https://www.nytimes.com/2018/05/09/opinion/jeff-bezos-spend-131-billion.html?action=click&pgtype=Homepage&clickSource=story-heading&module=opinion-c-col-left-region&region=opinion-c-col-left-region&WT.nav=opinion-c-col-left-region

Asking myself what current woman philanthropist I could name I only came up with Melinda Gates, and her as part of a power couple. Had to look it up – and it doesn’t look too good (in terms of wealth unchained from family relations) :

https://www.insidephilanthropy.com/home/2014/2/25/meet-the-15-most-powerful-women-in-us-philanthropy.html

 

 

Better go and weed now, leaving my own footprint in a buttercup meadow that otherwise will take over…..

Magnolia Plantation

Gone with the Wind was a book that I devoured as a tween, blissfully oblivious to the historic context and fully caught by fantasies of emulating Ms. O’Hara.  Neither Wilkes nor Butlers in plain sight as love interests for this 12-year old, alas. I should have visited Magnolia Plantation then, my ignorance of slavery a shield against conflicting feelings.

The plantation was founded in 1676 by the Drayton family, and continually held and expanded by them, with wealth from slave-produced rice crops. I did not visit the slave cabins, which were in use from early on until 1990 (!) and only have been subject to historic protection for the last 5 years. http://www.magnoliaplantation.com/slaverytofreedom.html

I focused on the gardens which are astonishing, even in winter. Again, the dialectic of suffering and beauty seems a Leitmotiv in my S.C. sojourn. The man who created the gardens at the beginning of the 19th century had unexpectedly fallen into the inheritance of the plantation at age 22; he really wanted to pursue his career as a minister, a devout man. He also saw his Philadelphia bride languish for home and tried to cheer her with the gardens. He was the first to bring azaleas to the country and cultivate camellia Japonica for southern climes. A good guy, in essence, deeply anchored in a love for God and nature – and a slave holder.

The plantation suffered from the losses in the civil war and opened up, thus able to survive, its gardens to the public in the late 18oos. In our century the Audubon Society is also represented, having created a swamp walk of breathtaking beauty, where you practically stumble over the wildlife.

 

The slaves and their descendants were buried in the swampy woods. 

The Draytons were by marriage related to the Grinkés, an elite Charleston family that produced two of the most remarkable women the South has ever seen. Born among 13 children into a rich, pro-slavery household, their father a Supreme Court Judge, Sarah and Angelina both escaped Charleston around 1820 to become Quakers in Philadelphia and start careers as abolitionist writers, thinkers and lecturers. The older one also became a feminist and tried to test the 15th amendment (allowing men of all races to vote) by trying to vote when she was almost 80 years old. Contrast here, too: the abolitionists welcomed women among their brethren but the moment these started to argue for women’ rights they were told to let go and were actively oppressed.

The 19th amendment to the U.S. Constitution was eventually ratified in 1920, giving women the right to vote after a 72-year struggle. 6 months earlier, the League of Women Voters was founded during the convention of the National American Woman Suffrage Association. A good thing, one might think, but also riddled with complications: it has been argued that the women’ right to vote was needed to counterbalance the rights granted to Black men and that the suffrage movement discriminated strongly against their Black sisters. Link below gives a short summary of the claims: https://www.teenvogue.com/story/womens-suffrage-leaders-left-out-black-women

Harriet Simon brought the LWV to Charleston, standing out among her class as a moderate liberal, and seemingly progressive. She did a lot of good, fighting on the right side in questions of desegregation, but also had a problem admitting Black women into the fold of the League. I think it is important to value what these women accomplished surrounded by overt racism that few of us experience in our own personal lives as sheltered, Northern US Whites or Europeans, accused as traitors to their own race. They showed courage and persistence, despite slow, incremental steps toward more equality.

Should you feel inclined to see her grave, these signs will greet you. The place is filled with birds, confederate flags and inscriptions longing for the past.

 

 

Chasing the Blues

Today’s antidote for the politics-related news blues offers blue flowers and an interesting musical crossover – from classics to blues (or at least jazz with a hint of blues… )

For some reason blue is not a frequent color in nature. Less than 10% of the 280.000 species of flowering plants have blue flowers. Or so I learn from the link below, that should hold some interest for avid gardeners.

http://www.mnn.com/your-home/organic-farming-gardening/stories/the-science-of-blue-flowers

 

 

 

 

 

 

 

Here’s something else that’s rare, if in art and not nature: truly successful musical crossover. I chose Bach’s concerto in D minor as arranged and played by Jaques Loussier and his Jazz trio.

Loussier and his trio have been at the cutting edge of fusing complicated classical pieces with jazz, exploiting and expanding the rhythmic and harmonic implications of the original(s). If this doesn’t bring cheer, I don’t know what will.

 

 

 

 

Urban Green Spaces

IMG_4370 copy

There are historic gardens, botanical gardens, productive gardens, gardens of the rich and famous, sculpture gardens, contemporary gardens – and then there is green urban development. A familiar American example would be NYC’s High Line, a 1.45 mile long park built on a disused, elevated Westside railroad spur. Here are some views from the High Line:         IMG_4371 copy

IMG_4362 copy

 

Less familiar might be a number of parks developed in several regions of Germany which utilize industrial heritage sites.

3-b8c9609e55

Gasometer Gichtbuehnen The most famous of these is probably the Landscape Park Duisburg Nord, a 450 acres site around old steelworks, blast furnaces and factory remnants, developed since 1991 by Latz and Partners. The landscape architect intended to create something that helped to heal and understand the industrial past, rather than reject it. (Note, that of course the Thyssen/Krupp company who was a major player in these parts, contributed mightily to the war effort and also used forced labor, 75.000 prisoners, if I remember correctly.) I have not yet visited these gardens, but they are, from everything I’ve heard, a mind boggling experience, in their various ways of making use of the terrain, their combination of planted gardens and naturally spreading vegetation, and their use of all the found iron pieces, screws, nuts, bolts, populating garden beds. By all reports they instill a sense of reinvention based on recycling, re-use, and hope that places can be opened to new life when their historical use is outmoded. (Photos from their website. The attached URL is a long and interesting article about the design philosophy of the park.) http://www.academia.edu/2296761/Gardens_Landscape_Nature_Duisburg_Nord_Germany

Geographically close is the Garden of Remembrance designed by Israeli artist Dani Caravan, which utilizes structures of the old harbor in Duisburg, adjacent to the new Jewish Community Center built close to the site of the synagogue destroyed in 1938. Further in the vicinity are parks nestled in abandoned, old, open brown-coal mines. The goal of all of these developments is really to make use of historical remnants but create something new that allows some harmonious union between  memory and looking to the future.

One last mention of the positive use of green spaces: the international or regional garden shows that happen ever so often in Germany are these days often arranged to take place in socio-economically deprived neighborhoods. Whatever gets built for these extensive shows, their shaping of the landscape, their demonstration of green public buildings like pools or climbing halls etc. is then there for the use of the neighborhood long after the garden folks have traveled home.  The photos below are from one of those three years back in Hamburg Harburg, a neighborhood that is intensely diverse and poor.DSC_0435 copy

DSC_0443 copy