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Nature

For the birds

Kirtland Warbler, photo source on the web

This week is dedicated to some of the birds I recently photographed and stories and questions they brought to mind.

We will start with a report I heard on the radio yesterday, a re-broadcast of an old NPR radiolab piece about a threatened species, the Kirtland warbler. The basics of the story as I remember them are as follows.

Happy little warbler in Michigan disappears. Wildlife services try to figure out why and pinpoint the nasty cow bird, a non-native species. Cowbirds, like cuckoos,  surreptitiously place their ow egg in the warblers’ nest, throwing one of the old eggs out to make space. When chick hatches, it grows at 4 times the speed than the warbler hatchlings, and so commands more room, throwing another chick out and gets all the food, since the parents feed the noisiest one first.

(These photos from the internet.)

A killing of cowbird commences to save the warblers. Traps are set, birds are killed by hand. 12ooo dead cowbirds later, the warbler population seems not to improve. So they figure that it was really also the absence of young trees, because wildfires have not been allowed to happen to protect humans. Wildlife services decide to try controlled burns. With few resources, few firefighters etc, burn gets out of control and ravages 20.000 acres in a blink, killing in its way a young wildlife technician who was eager to save the birds.

The question that many ask is: is saving a species worth a human life? After all there are some 50 species of warblers alive and well? Is putting so many resources into species protection, killing so many other birds worth the warbler continuity? If you decide to forgo saving one species, what about the next and the next and the next?

In some important way, the premise is wrong. The young man was killed due to circumstances in the process of protection, not because of the protection. The species is disappearing because of land use issues, interrupting the natural cycle of things.

Framing issues as human interest stories were emotions are roused when you hear the sad family, are dangerous in times where the Endanger Species Act is under assault by a reckless administration. ( Knew I would get there somehow….)

Photographs of warblers in the Columbia Gorge last week.)

http://www.radiolab.org/story/91723-weighing-good-intentions/

 

Flying

In an airplane, I just point my iPhone to things that look interesting, through the usually smudged and wet windows. (These images are from approaching SFO and put through a watercolor filter.)

Not so for someone with a passion for photography while flying. And with a passion for a cause: the environmental destruction happening across the globe in the pursuit of riches. I thought this was a timely topic given the impending retraction of protected national monuments and parks so the earth can be depleted some more. And I was impressed by someone who makes it possible for himself to travel to all these different countries that he photographed to warn us.

Let me introduce a man who is steering us all towards awareness of the hidden cost of consumerism. Henry Fair photographs the industrial scars of diverse countries while flying over them.  The resulting images are almost too beautiful to believe, particularly when thinking about the ugliness of what they represent. So I am breaking my rule of showing only my own photos (oh the freedom of blogging!) and present some of his. They are all contained in the link below:

http://www.spiegel.de/fotostrecke/industrial-scars-fotoband-zeigt-umweltsuenden-fotostrecke-146647.html

CANADYS, SOUTH CAROLINA, USA. When ash comes into contact with water, contaminants including arsenic, lead, mercury, selenium and others can migrate into groundwater, lakes and streams. This plant (since closed) was cited by the US Environmental Protection Agency (EPA) in 2011 as a âproven caseâ of environmental damage. It is know to have contaminated groundwater with arsenic, and is one of the largest emitters of sulphur dioxide in the USA.

GRAMERCY, LOUISIANA, USA. Red mud waste material is pumped onto the upper surface of a massive waste impoundment in a water slurry. The impoundments are essentially very large shallow bowls, engineered to de-water the slurry through evaporation and an internal drainage system fed by an arrangement of funnel-like decant points where water collects in pools.

SPRINGVILLE, PENNSYLVANIA, USA. Collection pit for drilling waste containing ground rock, drilling muds (the lubricants and chemicals used during drilling), and in some cases radioactive material existing in the target shale layer. The overspray at the top is a violation and a danger to any water bodies downhill.

LAUSITZ, GERMANY. The earth and rock overburden covering the coal is excavated and moved aside by conveyor to allow access to the coal. The conveyor feeds the overburden to a machine with a long, swinging arm which distributes the material by oscillating back and forth as it pours. When the mine is depleted, the overburden is used to partially fill the remaining pit.

KIRUNA, SWEDEN. Waste impoundment at Kiruna Iron Mine. The fine waste material is mixed with water and pumped in a slurry through long systems of pipes, or âlaundersâ, to tailings impoundments where the water runs off and is collected in ponds.

 

How can poison, waste and destruction look so beautiful? Abstract paintings are shallow echoes of these natural occurring patterns. And yet the images make me itch to pick up a paintbrush again…..Next life.

 

 

 

 

 

 

Seeking the Light

On a Friday in spring what better than branching out – we had jokes at the beginning of the week, might as well end the week with a(n imitation) Dr. Seuss tale.  Uplifting it shall be, just as the branches lift themselves into the light.  Happy spring, everyone!

 

To be read in the Dr. Seuss cadence!

 

In a land where the states are united, they claim,
In a sky-scraping tower adorned with his name,
Lived a terrible, horrible, devious chump,
The bright orange miscreant known as the Trump.

This Trump he was mean, such a mean little man,
With the tiniest heart and two tinier hands,
And a thin set of lips etched in permanent curl,
And a sneer and a scowl and contempt for the world.

He looked down from his perch, and he grinned ear to ear,
And he thought, “I could steal the election this year!
It’d be rather simple, it’s so easily won,
I’ll just make them believe that their best days are done!
Yes, I’ll make them believe that it’s all gone to Hell,
And I’ll be the Messiah, and their souls they will sell.

And I’ll use lots of words disconnected from truth,
But I’ll say them with style, so they won’t ask for proof.
I’ll toss out vague platitudes, phrases, and such.
They’re so used to fake news that it won’t matter much!
They won’t question the how, the what, why, or when,
I will make their America great once again!”

The Trump told them to fear, they should fear he would say,
“They’ve all come for your jobs, they’ll all take them away.
You should fear every Muslim and Mexican too,
Every brown, black, and tan one, everyone who votes blue.”

And he fooled all the Christians, he fooled them indeed,
He just trotted out Jesus, that’s all Jesus-folk need.
And celebrity preachers, they all crowned him as king,
Tripping over themselves just to kiss the Trump’s ring.

And he spoke only lies, just as if they were true,
Until they believed that the lies were true too.
He repeated and Tweeted, and he blustered and spit,
And he misled and fibbed—and he just made up shit.

And the media laughed, but they printed each line,
Thinking “He’ll never win, in the end we’ll be fine.”
So they chased every headline, bold-typed every claim,
‘Till the fake news and real news, they looked just the same.

And the scared folks who listened, they devoured each word,
Yes, they ate it all up, every word that they heard,
Fearing their status was under attack,
Trusting the Trump to take their America back.
From the gays and from ISIS, he’d take it all back,
Take it back from the Democrats, fat cats, and blacks.
So hook, line, and sinker they all took the bait,
All of his lies about making America great.

Now the Pant-suited One she was smart and prepared,
She was brilliant and steady, but none of them cared.
They cared not to see all the work that she’d done,
Or the fact that the Trump had not yet done Thing One.
They could only shout “Emails!”, yes “Emails!” they’d shout,
Because Fox News had told them—and Fox News had clout.
And the Pant-suited One, she was slandered no end,
And lies became truths she could never defend.
And the Trump watched it all go according to plan—
A strong woman eclipsed by an insecure man.

And November the 8th arrived, finally it came,
Like a slow-moving storm, but it came just the same.
And Tuesday became Wednesday, as those days will do,
And the night turned to morning, and the nightmare came true,
With millions of non-voters still in their beds,
Yes, the Trump, he had done it, just like he had said.

And the Trumpers they trumped, how they trumped when he won,
All the racists and bigots, deplorable ones,
They crawled out from the woodwork, came out to raise Hell,
They came out to be hateful and hurtful as well.
With slurs and with road signs, with spray paint and Tweets,
With death threats to neighbors and taunts on the street.
And the grossest of grossness they hurled on their peers,
While the Trump, he said zilch—for the first time in years.

But he Tweeted at Hamilton, he Tweeted the Times,
And he trolled Alec Baldwin a few hundred times,
And he pouted a pout like a petulant kid,
Thinking this is what Presidents actually did,
Thinking he could still be a perpetual jerk,
Terrified to learn he had to actually work,
Work for every American, not just for a few,
Not just for the white ones—there was much more to do.
He now worked for the Muslims and Mexicans too,
For the brown, black, and tan ones, and the ones who vote blue.
They were all now his bosses, now they all had a say,
And those nasty pant-suited ones were still here to stay.

And the Trump, he soon realized that he didn’t win,

He had gotten the prize—and the prize now had him.

And it turned out the Trump was a little too late,
For America was already more than quite great,
Not because of the sameness, the opposite’s true,
It’s greatness far more than just red, white, and blue,
It’s straight, gay, and female—it’s Gentile and Jew,
It’s Transgender and Christian and Atheist too.
It’s Asians, Caucasians of all different kinds,
The disabled and abled, the deaf and the blind,
It’s immigrants, Muslims, and brave refugees,
It’s Liberals with bleeding hearts fixed to their sleeves.
And we are all staying, we’re staying right here,
And we’ll be the great bane of the Trump for four years.
And we’ll be twice as loud as the loudness of hate,
Be the greatness that makes our America great.
And the Trump’s loudest boasts, they won’t ever obscure:

Nearly three million more of us—voted for her.

Written by H. Blair, a teacher in Bellevue, WA; edited by R. Green and A.Vizinho

Make America Sane Again.

And here is the last of the Fruehlingslieder…. https://www.youtube.com/watch?v=MHmzzu4FAnM

Poetic Flora or Modest Bloom?

An April Thursday delights the eye with modest treasures – small blossoms, peeking out from here or there.

Back home, on the computer screen, a cornucopia of all kinds of plants lights up: a new book that catalogues and beautifully illustrates the botanicals used by Shakespeare in his writings – all 175 them!

 

The plant drawings are set next to excerpts of the verses they inhabit, what a grandiose idea! Gardener friends, you know what you’ll find on your birthday table.

 

A Compendium of Shakespeare’s Plants, from Juliet’s Rose to Ophelia’s Bouquet

 

 

Much reason, then, to bellow this today:https://www.youtube.com/watch?v=vwzwmgdYZJY

 

Nesting

On a spring Tuesday I am hunting for nests.  Mostly so I can recite this poem….

For every Bird a Nest—
Wherefore in timid quest
Some little Wren goes seeking round—

Wherefore when boughs are free—
Households in every tree—
Pilgrim be found?

Perhaps a home too high—
Ah Aristocracy!
The little Wren desires—

Perhaps of twig so fine—
Of twine e’en superfine,
Her pride aspires—

The Lark is not ashamed
To build upon the ground
Her modest house—

Yet who of all the throng
Dancing around the sun
Does so rejoice?

Of course I found neither wrens nor larks, but was rewarded by the humming bird nest!
And the heron rookery
another osprey
If there are no nests there are holes in the tree
 And if that fails there are nesting boxes  from which you can sing to this:

Spring

What do we do during spring here in Oregon?

 

On Monday we tiptoe through the tulips, and ponder which of the below is the best curse to memorize…. courtesy of Aaron Spiegel …

Yiddish Curses for Republican Jews


  • May you sell everything and retire to Florida just as global warming makes it uninhabitable.
  • May you live to a hundred and twenty without Social Security or Medicare.
  • May you make a fortune, and lose it all in one of Sheldon Adelson’s casinos.
  • May you live to a ripe old age, and may the only people who come visit you be Mormon missionaries.
  • May your son be elected President, and may you have no idea what you did with his goddamn birth certificate.
  • May your grandchildren baptize you after you’re dead.
  • May your insurance company decide constipation is a pre-existing condition.
  • May you find yourself insisting to a roomful of skeptics that your great-grandmother was “legitimately” raped by Cossacks.
  • May you feast every day on chopped liver with onions, chicken soup with dumplings, baked
  • carp with horseradish, braised meat with vegetable stew, latkes, and may every bite of it be contaminated with E. Coli, because the government gutted the E.P.A.
  • May you have a rare disease and need an operation that only one surgeon in the world, the winner of the Nobel Prize for Medicine, is able to perform. And may he be unable to perform it because he doesn’t take your insurance. And may that Nobel Laureate be your son.
  • May the state of Arizona expand their definition of “suspected illegal immigrants” to “anyone who doesn’t hunt.”
  • May you be reunited in the world to come with your ancestors, who were all socialist garment workers.
  • And when we are done muttering under our breath we just hum this:
  • https://www.youtube.com/watch?v=umw-8J-O14o

Hamburg

It was 15 years ago almost to the day that I saw my father for the last time. We spent his 80th birthday in a hospital room in Hamburg where he thought he was back in the trenches of Stalingrad. Prescription opioids for pain from his war wounds and decades of self-medication with alcohol to combat depression and PTSD had finally ravaged his brilliant brain. It was bitterly cold for March, I froze and shivered during long waits at the bus stop to and from the hospital. His apartment in a luxury retirement home (above) was in the process of being fumigated since the cleaning crews had neglected an infestation with moths who happily devoured the Persian rugs, curtains and cashmere coats.  So I had to stay in some sterile guest apartment, stumbling through the days. The view was great, though, the reason he moved there in the first place.

He died three months later, and as per his request there was no funeral, just a sea burial. Although socially quite charming, we was a bit of a recluse and did not want to attention or burden us with cemetery duties.My sister and I walked on this little beach, threw daisies in the water and drew hearts in the sand, as if we were 16 years old. It was sad and satisfying and fitting for who we are.

8 weeks ago I was back in this town, saying Good Bye to a dying friend and connecting with my living ones who provide the last bridge to my European identity and a shared past that included my parents. Again it was icy cold, though that could be expected in January.

Today we are burying my friend, and it is in the mid 80ies, exceptionally warm for March. I wonder how it will be to have a mirror of aging held to my face when re-encountering people I have not seen for 40 years, among the hundreds of guests. I also wonder if jet lag catches up with me or the irritation to have to wear black stockings in this heat, or a flood of tears that I won’t be able to stop, really not for a person, but for an unrecoverable past.

Luckily there is ALWAYS a bright side. On my morning walk I met this character who was quite happy to be photographed and whose cap, adorned with a peacock feather, says: smile! Which is what he encouraged me to do, a glimpse of a human bond forged by strangers, which gave me some peace.

 

Prickly Things

· Für S. ·

“I had to get out of Los Angeles,” said Quinn, a poetic songwriter who describes his sound as a cowboy waltz vibe meshing with tinklings of sci-fi. I had to choose this musician to accompany today’s photographs for the description of his music alone. You tell me if his assessment is accurate….

https://www.youtube.com/watch?v=2RhMnmovEKg

And where did he go? To Joshua Tree National Park, a haven for fringe and not so fringe musicians, stoner rock mostly, made most (in)famous by the Eagles of Death Metal, who lost band members in the terror attacks at Bataclan, the Paris night club.

http://www.latimes.com/entertainment/music/la-et-ms-desert-music-joshua-tree-20151205-story.html

The title of the article above describes the park as drawing artists, musicians and the pure of heart. None of those were present when my oldest friend and I explored it in 2015 – we had the entire place practically to ourselves in the early morning. She has a passion for cacti – no clue where it originated. Perhaps comforting visits with grandparents – cacti collections were not unknown to be decorating German window sills.

I certainly know that my passion for birds was instilled by walks through the forests and heaths of Lower-Saxony with my Opa, the thin, short man playing the huge stand-up bass in a small Orchestra called Fidelio. He’d whistle bird calls with the joy of a musician and taught me the rudiments about bird species. Here is a hummer in memory of Opa Eduard.

But I digress. Cacti it shall be today, in all their comforting beauty. And their bloom in the wild.

Photographs from Joshua Tree National Park and the region surrounding Palm Desert. The park’s trees, rarely found any where else in the continental US, look like some sort of cactus themselves.

Death Valley

We started the week with landscapes in the State of Washington. From there we went South to the Columbia River, then further East to Harney County. Now it’s straight South, all the way to a place where rain is rarely seen – what a concept. California is our destination, and leave it to the internet to cough up information on some obscure painters that were in love with Western National Parks, Death Valley – my choice today –  included. One was a Swede, the other of Swedish descent, both quite adept watercolorists, both drawn to the dry sunny places that mediate the intensity of depression. (Well, the latter is speculation, no clue if they were depressed, but I surely could use some sun to counteract the dark clouds.)

The links below refer to Gunnar Widforss (1879-1934) whose post-humous exhibits found high acclaim. A realist painter, he spent his life alone, in relative poverty, pursuing nature. I actually think he was a terrific painter and am surprised I had never heard of him before.

 

GUNNAR WIDFORSS—PAINTER OF THE NATIONAL PARKS

https://www.californiawatercolor.com/pages/gunnar-widforss-biography

The other painter is Fernand Lungren (1857-1932) an Eakins student and favorite of Theodore Roosevelt. His landscapes were more impressionistic, capturing much of the intense light of and colors of Death Valley and other natural wonders down South.

 http://www.tfaoi.com/aa/2aa/2aa439.htm

Last but not least, in addition to some of the photographs above and below that depict what I saw some 100 years later compared to these guys, here is a partial list of movies that were filmed among the mountainous folds and the salty flatlands.

Starwars!!

https://www.nps.gov/deva/learn/historyculture/death-valley-in-movies-and-television.htm

Binge watching NOT recommended.

The colors in my photographs are true to what is, not over-exposed – the blues and reds, yellows and purples are just as intense as you see them.

Just as the hills of Eastern Oregon always remind me of sea lions, here I am transported to a more ancient time of mammoths or some such. Or the original elephants…..who also seemed to populate the hallways of the single motel within the park, insanely overpriced and under serviced, the one disappointment during an otherwise perfect excursion.

 

 

Harney County, Eastern Oregon

Malheur lies in the furthest south/east corner of our state. Before this part of Oregon became infamous through the occupation of the right wing, nationalist militia crooks around Amon Bundy last year, it was a magnet for nature lovers, wildlife protectionists, birding enthusiasts and artists. It still is, I suppose, with many working hard to restore what has been defiled.

Childe Hassam 1908 Afternoon Sky, Harney Desert

Hassan Childe (1859-1935) was one of the early painters who lend his impressionist style to depicting the beauty of Harney County. In fact one of his paintings was the first acquisition of the Portland Art Museum, founded in 1905.He captured, in my opinion, an idealized version of what is really a harsh environment around the Steen Mountains. Part desert, part mountain wilderness, few interspersed water features that host 1000s of birds during migration, all combine to deliver astonishing beauty but also intense hardship for the few people who settle this landscape and try to make a living of it.

https://oregonencyclopedia.org/articles/hassam_childe_1859_1935_/#.WNHdfzvt–Q

 

I find Henk Pander’s work a more fitting testimony to the reality out there, both in his water colors and his oil paintings that often add a psychologically astute dimension to what is. He captures the intense light but also the foreboding of the Eastern landscape.

Here is a link to his website – check out the watercolors of the Blitzen river, the Malheur Field station and the landscape of the Steens.

http://henkpander.format.com/#1

 

I have only visited once, 2 years ago, for a precious few days on a road trip from LA to PDX. I have been wanting to go back there ever since, and hope this year will afford it.  Who knows.

In the meantime I frequently go back to the photographs I took and try to recreate the experience.

Part of what made it special are the many unfamiliar bird sounds that you hear there, including some birds that make music with its feathers – here is the sound of a common snipe https://www.youtubecom/watch?v=dam0sDp6Xig.

At night you hear owls,

during the day you walk among families of quails,

and you are surrounded by ubiquitous species of blackbirds, many of them unfamiliar to me.

It is a special place if you like birds and find solace in their freedom and their song.